John White - Machine Music - VINYL LP
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Between 1975 and 1978, Brian Eno's Obscure imprint produced ten LPs to document the work of virtually unknown composers at the time. These records continue to inspire both practitioners and fans of experimental, ambient and modern classical music.Machine Music, Obscure No. 8 and the third title to feature Gavin Bryars, showcases Inchsystems musicInch pioneer John White. Largely known for his compositions for tuba and piano, White was a stylistically omnivorous artist who felt at home in his position as musical director at the Western Theatre Ballet as well as playing alongside Cornelius Cardew and Bryars in the radical Scratch Orchestra.Performed by the composer, Christopher Hobbs, Michael Nyman and Bryars, the album's first side is comprised of four White pieces. Short, repetitive themes-for brass, woodwinds, strings, piano and jaw harp-share common ground with the minimalist work of Steve Reich and Terry Riley. Splendid timbral variations reveal a trance-inducing listening experience. InchDrinking And Hooting Machine,Inch the side's eerie finale, features the sound of five musicians (including Eno himself) blowing into empty milk bottles-a reminder that serious avant-garde music can sometimes be puckish and strange.Side two consists of Bryars' InchThe Squirrel And The Ricketty Racketty Bridge,Inch a mesmeric piece that finds Derek Bailey, Fred Firth, Bryars and Eno each striking a pair of tabletop guitars. Fans of Michael O'Shea and Eno's own protege Laraaji will find much to love here. Machine Music serves as an ideal entry point to the kind of compelling art music that would become Obscure's stock and trade.
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- GenreRockDescriptionBetween 1975 and 1978, Brian Eno's Obscure imprint produced ten LPs to document the work of virtually unknown composers at the time. These records continue to inspire both practitioners and fans of experimental, ambient and modern classical music.Machine Music, Obscure No. 8 and the third title to feature Gavin Bryars, showcases Inchsystems musicInch pioneer John White. Largely known for his compositions for tuba and piano, White was a stylistically omnivorous artist who felt at home in his position as musical director at the Western Theatre Ballet as well as playing alongside Cornelius Cardew and Bryars in the radical Scratch Orchestra.Performed by the composer, Christopher Hobbs, Michael Nyman and Bryars, the album's first side is comprised of four White pieces. Short, repetitive themes-for brass, woodwinds, strings, piano and jaw harp-share common ground with the minimalist work of Steve Reich and Terry Riley. Splendid timbral variations reveal a trance-inducing listening experience. InchDrinking And Hooting Machine,Inch the side's eerie finale, features the sound of five musicians (including Eno himself) blowing into empty milk bottles-a reminder that serious avant-garde music can sometimes be puckish and strange.Side two consists of Bryars' InchThe Squirrel And The Ricketty Racketty Bridge,Inch a mesmeric piece that finds Derek Bailey, Fred Firth, Bryars and Eno each striking a pair of tabletop guitars. Fans of Michael O'Shea and Eno's own protege Laraaji will find much to love here. Machine Music serves as an ideal entry point to the kind of compelling art music that would become Obscure's stock and trade.ArtistJohn WhiteTitleMachine MusicFormatVINYLLabelSuperior Viaduct
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Between 1975 and 1978, Brian Eno's Obscure imprint produced ten LPs to document the work of virtually unknown composers at the time. These records continue to inspire both practitioners and fans of experimental, ambient and modern classical music.Machine Music, Obscure No. 8 and the third title to feature Gavin Bryars, showcases Inchsystems musicInch pioneer John White. Largely known for his compositions for tuba and piano, White was a stylistically omnivorous artist who felt at home in his position as musical director at the Western Theatre Ballet as well as playing alongside Cornelius Cardew and Bryars in the radical Scratch Orchestra.Performed by the composer, Christopher Hobbs, Michael Nyman and Bryars, the album's first side is comprised of four White pieces. Short, repetitive themes-for brass, woodwinds, strings, piano and jaw harp-share common ground with the minimalist work of Steve Reich and Terry Riley. Splendid timbral variations reveal a trance-inducing listening experience. InchDrinking And Hooting Machine,Inch the side's eerie finale, features the sound of five musicians (including Eno himself) blowing into empty milk bottles-a reminder that serious avant-garde music can sometimes be puckish and strange.Side two consists of Bryars' InchThe Squirrel And The Ricketty Racketty Bridge,Inch a mesmeric piece that finds Derek Bailey, Fred Firth, Bryars and Eno each striking a pair of tabletop guitars. Fans of Michael O'Shea and Eno's own protege Laraaji will find much to love here. Machine Music serves as an ideal entry point to the kind of compelling art music that would become Obscure's stock and trade.
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Navajo White is a color. It's the color of an off white, interior, house paint. Throughout his teens into adulthood, John Reis was as a house painter by trade. The soiled walls of evacuated apartments was his canvas. Here he would cover up the residue of life's stains with a fresh coat of the beige, human white-out that is Navajo White. Amongst the vacated, drywall chambers littered with the scant detritus of a fleeing existence is where this record began. It started as road noise, a repetitious hum of a fictional dialogue. A languageless, argument of noise that took shape as a disconnect between two people. They are both barricaded by an impenetrable surface tension that harbors the distortion of their prolonged isolation from the world beyond their self imposed exile. For all that can't be solved or thrown away here's a thick coat of Navajo White to cover our tracks as if to say Inchwe were never here and this never happened.Inch This is the fifth Swami John Reis album and features Jason Kourkounis (Hot Snakes, Delta 72, Night Marchers) on drums as well as contributions from Rick Froberg (Hot Snakes, Drive Like Jehu, Obits) on guitar, Gar Wood (Hot Snakes, Tanner, Night Marchers) on bass, Joe Guevara (Jejune, Swami and the Bed Of Nails) on piano and keyboards and Rob Crow (Pinback, PLOSIVS) and Jacob Turnbloom (Mrs. Magician) on backing vocals. Taking musical cues from later period Wipers, the more low key Saints songs, early recordings of The Church as well as The Damned on their Black Album, Navajo White pits sentiment vs the unsentimental. Recorded by John Reis at City of Refuge, San Diego with additional recording and mixing by Ben Moore at Singing Serpent and mastered by Dave Gardner at DSG Mastering. This record is dedicated to house painters everywhere.
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