Jordy - Boy - COMPACT DISCS [CD]

Melbourne-based producer, DJ and instrumentalist, Harvey Sutherland recorded his debut album 'BOY' between London, Los Angeles and Harvey's own Swimming Pool Studio with a string of special guests including the inimitable DaM-FunK, who features on lead single, 'Feeling of Love'. 'BOY' takes the base elements of funk and fires them through a prism of influences - the hyper-produced studio pop of Todd Rundgren, the luscious grooves of New York boogie and the harsh snap of coldwave. A self-diagnosed overthinker and perfectionist, the forthcoming record's finest fruits were birthed from endless nights of studio obsession and psychoanalysis - Harvey's theory of Inchneurotic funkInch as his guiding North Star. Plaudits have already arrived from the likes of Resident Advisor, NME, Paper and numerous DJs across BBC 6Music, Radio 1 and across NPR's top-table of tastemaker stations.

On his acclaimed LPs with his experimental rock band Wilder Maker, Brooklyn singer-songwriter Gabriel Birnbaum's animus has been breaking molds. Records like 2018's sprawling concept album Zion and last year's guest-lead-singer-filled treasure trove Male Models highlighted the 37-year-old musician's penchant for formal adventurousness, stylistic pivots, and lyrical verbosity-the kind that mirrors the flow of a warm and spirited conversation, betraying a fascination with influences from Bob Dylan to Billy Woods. On his albums billed to Gabriel Birnbaum, he focuses on economy and direct emotional resonance, bending classic American songforms to his will. Following 2019's Not Alone-and coming after a busy period of production and arranging work for artists like Mutual Benefit and Katie Von Schleicher-his stunning new solo album Patron Saint of Tireless Losers is the most immediate and narratively kaleidoscopic collection of songs of his career-both deeply personal and enigmatic in a way that encourages serial relistens. With sensitivity and patience, Birnbaum cuts straight to the spiritual essence of the characters he inhabits, painting affecting and lovingly drawn scenes bolstered by cathartic hooks.Recorded in the winter of 2019, Patron Saint-like Not Alone-channels the production methodology of Neil Young and Crazy Horse made in a few days with none of the players having heard the material ahead of time. Birnbaum-an accomplished saxophonist as well as guitarist and singer-has one foot in the world of NYC jazz and avant-garde music, and works with players who mix indie rock and Americana bonafides with free-improv instincts Will Graefe (guitar/bass), Adam Brisbin (guitar/bass), and Jason Nazary (drums). The spontaneity of the playing shapes the dramatic situation in each track; at turns, they build to the point of obscuring the chord structure and exploding the tempo

In his most self-aware and sonically refined work to date, Jordy returns with In Retrospect-an 11-track journey through the clarity of hindsight. Transitioning from a breakup record into a manifesto on healing, the album captures the Inchpush-and-pullInch of turning 30 and finding power in the wreckage of the past.Known for his unmistakable blend of Inchpop precisionInch and vulnerable storytelling, Jordy moves past the guilt of time wasted to celebrate the person he has become. This is an album about finding yourself again after the noise fades. In Retrospect is a love letter to the music that shaped a generation. Sonically, Jordy pays homage to his roots, blending the infectious energy of early 2000s pop-punk and Hilary Duff-era bubblegum with the high-gloss production of modern synth-pop.