Jorg Halubek - Suite & Concertos - COMPACT DISCS [CD]
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Il Gusto Barocco approaches Johann Sebastian Bach's suites and concertos from a contemporary and at the same time historically informed perspective. On their new album InchSuite & ConcertosInch, Jörg Halubek and the early music specialists of Il Gusto Barocco take a look at Bach's activities in the Zimmermann coffee house in Leipzig. They are not reconstructing an actual programme, but testing how the spirit of the musical gatherings in the circle of family, relatives and students can be transferred to our modern times. InchWe want to take a more modern look at Bach, who today is mainly seen as a strict church composer. For us, it's about the communicative side turned towards people,Inch says ensemble leader and harpsichordist Jörg Halubek. The cello, which is slowly emerging from it's basso continuo shadow in Baroque music, leads the way through the program with Bach's third cello suite. The solo concertos inserted between the suite movements extend the individual focus to the group. The tendency in concert practice to preserve the inviolability of such a cherished work is here afforded a historically-informed approach accessed simultaneously through the eyes and ears of a modern musician. We do after all know, from contemporary sources from Bach's time, that instrumental works were not always played in their entirety. The forthcoming albums in this series, featuring new recordings and released to mark Bach's birthday, which began last year with the recording of the Brandenburg Concertos, should be afforded a musical presenter. The aim is to spotlight the soloistic qualities of the individual musicians who together form the ensemble overall, while also maintaining their individuality. In the concertos chosen for this program the orchestra plays more than just an accompanying role.
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- GenreClassicalDescriptionIl Gusto Barocco approaches Johann Sebastian Bach's suites and concertos from a contemporary and at the same time historically informed perspective. On their new album InchSuite & ConcertosInch, Jörg Halubek and the early music specialists of Il Gusto Barocco take a look at Bach's activities in the Zimmermann coffee house in Leipzig. They are not reconstructing an actual programme, but testing how the spirit of the musical gatherings in the circle of family, relatives and students can be transferred to our modern times. InchWe want to take a more modern look at Bach, who today is mainly seen as a strict church composer. For us, it's about the communicative side turned towards people,Inch says ensemble leader and harpsichordist Jörg Halubek. The cello, which is slowly emerging from it's basso continuo shadow in Baroque music, leads the way through the program with Bach's third cello suite. The solo concertos inserted between the suite movements extend the individual focus to the group. The tendency in concert practice to preserve the inviolability of such a cherished work is here afforded a historically-informed approach accessed simultaneously through the eyes and ears of a modern musician. We do after all know, from contemporary sources from Bach's time, that instrumental works were not always played in their entirety. The forthcoming albums in this series, featuring new recordings and released to mark Bach's birthday, which began last year with the recording of the Brandenburg Concertos, should be afforded a musical presenter. The aim is to spotlight the soloistic qualities of the individual musicians who together form the ensemble overall, while also maintaining their individuality. In the concertos chosen for this program the orchestra plays more than just an accompanying role.ArtistJorg HalubekTitleSuite & ConcertosFormatCDLabelBerlin Classics
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Il Gusto Barocco approaches Johann Sebastian Bach's suites and concertos from a contemporary and at the same time historically informed perspective. On their new album InchSuite & ConcertosInch, Jörg Halubek and the early music specialists of Il Gusto Barocco take a look at Bach's activities in the Zimmermann coffee house in Leipzig. They are not reconstructing an actual programme, but testing how the spirit of the musical gatherings in the circle of family, relatives and students can be transferred to our modern times. InchWe want to take a more modern look at Bach, who today is mainly seen as a strict church composer. For us, it's about the communicative side turned towards people,Inch says ensemble leader and harpsichordist Jörg Halubek. The cello, which is slowly emerging from it's basso continuo shadow in Baroque music, leads the way through the program with Bach's third cello suite. The solo concertos inserted between the suite movements extend the individual focus to the group. The tendency in concert practice to preserve the inviolability of such a cherished work is here afforded a historically-informed approach accessed simultaneously through the eyes and ears of a modern musician. We do after all know, from contemporary sources from Bach's time, that instrumental works were not always played in their entirety. The forthcoming albums in this series, featuring new recordings and released to mark Bach's birthday, which began last year with the recording of the Brandenburg Concertos, should be afforded a musical presenter. The aim is to spotlight the soloistic qualities of the individual musicians who together form the ensemble overall, while also maintaining their individuality. In the concertos chosen for this program the orchestra plays more than just an accompanying role.
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Introducing Il Gusto Barocco's latest album, a new approach to Baroque music. Each ensemble member is given a to showcase their talents as a soloist, choosing their own program and interpreting the selected works in a very special way. Director Jörg Halubek believes in the concept of Inchextended chamber music,Inch where players must always think and perform as soloists while still valuing the importance of ensemble playing. The members of Il Gusto Barocco all studied at the Schola Cantorum Basiliensis, which has led to a shared aesthetic background. The ensemble's goal is to bring the music to life and not impose their own personal listening habits on the audience. Flautist Claire Genewein performs Johann Sebastian Bach's Flute Partita in A minor on the album, playing it without bass accompaniment, as Bach most likely intended. This recording offers a unique interpretation, especially regarding playing speeds, that sets it apart from others. Il Gusto Barocco's latest album is a must-listen for fans of Baroque music looking for a fresh take on the genre.

Daniel Sommer & Arve Henriksen & Johannes Lundberg - Sound & Sequences Danish drummer Daniel Sommer proudly presents the second installment of his critically acclaimed Nordic Trilogy. Danish drummer Daniel Sommer proudly presents the second installment of his critically acclaimed Nordic Trilogy, a project aiming to capture and document Nordic improvisation and composition across three carefully curated ensembles. Featuring Swedish bassist Johannes Lundberg and Norwegian trumpeter Arve Henriksen, 'Sounds & Sequences' is set to on April Records. A followup to 'As Time Passes' featuring Sommer alongside UK guitarist Rob Luft and Norwegian ECM bassist Arild Andersen, the project develops as Sommer says, Inchnot to try to make the same kind of music three times in a row, but rather to shed light on Nordic improvisation today from various angles and perspectives.Inch With a focus on vulnerability, intuition, and the dialogue between electronic and acoustic sounds, 'Sounds & Sequences' offers a striking contrast in aesthetic and mood to the previous record, tied together by a shared sense of refined musical literacy, poetic sensitivity and open-hearted exploration. Drawing inspiration from chamber music, spiritual jazz, and electronic and ambient music, the trio made several visits to Studio Epidemin in Gothenburg several times between March 2022 and December 2023, recording music with no set goals or briefs. Faced with a large volume of recordings, the group then set about compiling their free improvisations into a cohesive statement with form, narrative and direction. InchWe simply improvised, listened, discussed, and improvised again until something emerged.Inch With the interactive, spacious, and dynamic sound of live trio performances at it's core, bowed upright bass harmonics, Henriksen's lamenting trumpet melodies, and Sommer's grooving, textural approach to the kit
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Much has been said about Johann Sebastian Bach's Brandenburg Concertos- and yet there is always more to be said. Il Gusto Barocco is a south German period performance think tank and it's take on the Brandenburg Concertos is a breath of fresh air, combining a nose for historical rarities with musical dare and ensemble sound with soloist flair. Featuring the rarely heard piccolo violin, the performance is play-conducted and spear-headed by Jörg Halubek, whose prior releases include Bach Organ Landscapes, which was extraordinarily well-received. Long term cooperation with the ensemble and Berlin Classics featuring Bach's works for different chamber ensembles.
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