Jpt Scare - Live At Crosstown Station - VINYL LP

Sightless Pit is the project of duo Lee Buford (The Body) and Dylan Walker (Full of Hell). Buford and Walker are born collaborators, known for their ability to subvert musical expectations, transcend genre and plunge headlong into the unknown. Across the album, the two highly inventive musical omnivores are buoyed by an astounding menagerie of eclectic and celebrated collaborators including Gangsta Boo (Three 6 Mafia), YoshimiO (Boredoms), Frukwan (Gravediggaz), Claire Rousay, Midwife, Lane Shii Otayonii (Elizabeth Colour Wheel), Foie Gras, and more. Their work with the likes of Thou, Uniform, Merzbow, and Nothing, taken together with their The Body & Full of Hell albums, have established each as singular voices and masterful alchemists of heavy music. The duo shares an affection for rhythm-based beat music, disparate electronic genres, dub, as well as darkly-hued atmospheric ambience. Lockstep Bloodwar exceeds expectations by stunningly combining the noise and confrontational posturing they are both well known for with pulsing and kaleidoscopic electronic samples, drum machines, and grizzled synths.1 Resin on a Knife (feat Midwife)2 Calcified Glass (feat YoshimiO & Gangsta Boo)3 Flower to Tomb (feat Lane Shi Otayonii)4 Lockstep Bloodwar5 Low Orbit (feat Frukwan & Industrial Hazard)6 False Epiphany (feat claire rousay)7 Shiv (feat Crownovhornz)8 Morning of a Thousand Lights9 Futilities (feat Foie Gras)

Double bassist Jaromír Honzák, one of the key figures on the Czech jazz scene and the recipient of five Andel Awards for the best jazz album of the year, many of whose projects have been the pride of the Animal Music catalogue, releases a new studio album, InchTwentiesInch. The recording features regular members of Honzák's band, all eminent Czech jazzmen David Doružka (guitar), Vít Krištan (keyboards), Luboš Soukup (saxophone, clarinet, flute), and Martin Novák (drums and percussions). InchTwenties is the third album recorded with the same line-up; with musicians who have known me for quite some time and who can understand me. The intention (perhaps I should say intuition) here has been to give vent to the various influences and impulses I've encountered on my musical journey, including the more recent ones, such as my fascination with medieval music and early polyphony, and earlier ones based on my relationship with electric jazz, fusion, and pop music. At the same time I felt the urge to somewhat lighten and quieten my music, so instead of intricate metre you get simple melodic lines, instead of carefully composed passages there is free improvisation. Yet, this is no revolution; merely another step in a life-long quest for my music. None of this would be possible without my band and colleagues who turned my often rather vague ideas into beautiful sounds. The overall sound of the album owes a lot to Vít Krištan's incredibly refined sense of the keyboards and electronic effects,Inch says Jaromír Honzák of the new album.

Recorded April 20, 2001, in Detroit, MI, Live Volume is the first live album by Corrosion of Conformity and first time back on vinyl since 2016. Although the group began with strong punk leanings, indeed they were one of the first groups to merge punk and metal, the selections on this album eschew the material from that era.