Juan Gonzalez Martinez - Mediterranean Melodies - SUPER-AUDIO CD [Super Audio CD (SACD)]
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The silver Renaissance trombone and the ostentatious claviorganum were once glittering status symbols for Renaissance popes and Baroque princes. Duo GlossArte bring these treasures to life with a colourful journey of timbres around the Mediterranean that celebrates virtuosity as well asheartfelt emotion.The bright, lyrical and contoured sound of the silver trombone is perfectly suited to virtuosic passages, from Renaissance ornamentation to Baroque stylus fantasticus. The expressive richness that Spanish historical trombone virtuoso, Juan Gonzalez Martinez explores finds an imaginative and charismatic counterpart in the Swiss-born organ and harpsichord specialist Lea Suter. Details 1. Sonata Seconda from Sonate a 1, 2, 3 Per Il Violino... O Simile Altro Istromento (Venedig, 1641) 2. Deus Canticum Novum from Motetti a Voce Sola (Venedig, 1621) 3. Susanna D'orlando from Selva de Varii, Passaggi, Parte Seconda (Mailand, 1620) 4. Sonata Prima from Sonate a 1, 2, 3 Per Il Violino... O Simile Altro Istromento (Venedig, 1641) 5. Partite Sopra la Monica for Harpsichord Solo from Toccate E Partite D'intavolatura Di Cimbalo, Libro Primo (Rom, 1615) 6. Todo El Mundo en General from Facultad Orgánica (Alcalà de Henares, 1629) 7. Canzon Prima from Primo Libro de Canzoni, Fantasie & Correnti (Venedig, 1638) 8. Capriccio Sopra Re Fa Mi Sol Manuscript (Ca.1617) for Harpsichord Solo 9. Canzon la Hieronyma from Musicali Melodie (München, 1621) 10. Canzon Terza from Primo Libro de Canzoni, Fantasie & Correnti (Venedig, 1638) 11. Pulchra Es Arnica Mea from Selva de Varii Passaggi, Parte Seconda (Mailand, 1620) 12. Sonata Prima from Sonate Concertate in Stil Moderno, Libro Secondo (Venedig, 1629) 13. Toccata Settima from Toccate E Correnti D'intavolatura D'organo E Cimbalo (Rom, Ca. 1634) for Harpsichord Solo 14. Sonata Seconda from Sonate Concertat
- GenreClassicalDescriptionThe silver Renaissance trombone and the ostentatious claviorganum were once glittering status symbols for Renaissance popes and Baroque princes. Duo GlossArte bring these treasures to life with a colourful journey of timbres around the Mediterranean that celebrates virtuosity as well asheartfelt emotion.The bright, lyrical and contoured sound of the silver trombone is perfectly suited to virtuosic passages, from Renaissance ornamentation to Baroque stylus fantasticus. The expressive richness that Spanish historical trombone virtuoso, Juan Gonzalez Martinez explores finds an imaginative and charismatic counterpart in the Swiss-born organ and harpsichord specialist Lea Suter. Details 1. Sonata Seconda from Sonate a 1, 2, 3 Per Il Violino... O Simile Altro Istromento (Venedig, 1641) 2. Deus Canticum Novum from Motetti a Voce Sola (Venedig, 1621) 3. Susanna D'orlando from Selva de Varii, Passaggi, Parte Seconda (Mailand, 1620) 4. Sonata Prima from Sonate a 1, 2, 3 Per Il Violino... O Simile Altro Istromento (Venedig, 1641) 5. Partite Sopra la Monica for Harpsichord Solo from Toccate E Partite D'intavolatura Di Cimbalo, Libro Primo (Rom, 1615) 6. Todo El Mundo en General from Facultad Orgánica (Alcalà de Henares, 1629) 7. Canzon Prima from Primo Libro de Canzoni, Fantasie & Correnti (Venedig, 1638) 8. Capriccio Sopra Re Fa Mi Sol Manuscript (Ca.1617) for Harpsichord Solo 9. Canzon la Hieronyma from Musicali Melodie (München, 1621) 10. Canzon Terza from Primo Libro de Canzoni, Fantasie & Correnti (Venedig, 1638) 11. Pulchra Es Arnica Mea from Selva de Varii Passaggi, Parte Seconda (Mailand, 1620) 12. Sonata Prima from Sonate Concertate in Stil Moderno, Libro Secondo (Venedig, 1629) 13. Toccata Settima from Toccate E Correnti D'intavolatura D'organo E Cimbalo (Rom, Ca. 1634) for Harpsichord Solo 14. Sonata Seconda from Sonate ConcertatArtistJuan Gonzalez MartinezTitleMediterranean MelodiesFormatSuper Audio CD (SACD)LabelMDG
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The silver Renaissance trombone and the ostentatious claviorganum were once glittering status symbols for Renaissance popes and Baroque princes. Duo GlossArte bring these treasures to life with a colourful journey of timbres around the Mediterranean that celebrates virtuosity as well asheartfelt emotion.The bright, lyrical and contoured sound of the silver trombone is perfectly suited to virtuosic passages, from Renaissance ornamentation to Baroque stylus fantasticus. The expressive richness that Spanish historical trombone virtuoso, Juan Gonzalez Martinez explores finds an imaginative and charismatic counterpart in the Swiss-born organ and harpsichord specialist Lea Suter. Details 1. Sonata Seconda from Sonate a 1, 2, 3 Per Il Violino... O Simile Altro Istromento (Venedig, 1641) 2. Deus Canticum Novum from Motetti a Voce Sola (Venedig, 1621) 3. Susanna D'orlando from Selva de Varii, Passaggi, Parte Seconda (Mailand, 1620) 4. Sonata Prima from Sonate a 1, 2, 3 Per Il Violino... O Simile Altro Istromento (Venedig, 1641) 5. Partite Sopra la Monica for Harpsichord Solo from Toccate E Partite D'intavolatura Di Cimbalo, Libro Primo (Rom, 1615) 6. Todo El Mundo en General from Facultad Orgánica (Alcalà de Henares, 1629) 7. Canzon Prima from Primo Libro de Canzoni, Fantasie & Correnti (Venedig, 1638) 8. Capriccio Sopra Re Fa Mi Sol Manuscript (Ca.1617) for Harpsichord Solo 9. Canzon la Hieronyma from Musicali Melodie (München, 1621) 10. Canzon Terza from Primo Libro de Canzoni, Fantasie & Correnti (Venedig, 1638) 11. Pulchra Es Arnica Mea from Selva de Varii Passaggi, Parte Seconda (Mailand, 1620) 12. Sonata Prima from Sonate Concertate in Stil Moderno, Libro Secondo (Venedig, 1629) 13. Toccata Settima from Toccate E Correnti D'intavolatura D'organo E Cimbalo (Rom, Ca. 1634) for Harpsichord Solo 14. Sonata Seconda from Sonate Concertat
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