Junko Onishi - American Classics - VINYL LP

The debut recording by acoustic upright bassist and vocalist Esperanza Spalding, a native of Portland, OR, is an exercise in joy and freedom. Well rendered for such a very young musician, it's quite notable, considering the certainty of her concept and clarity of her vision. While steeped in contemporary jazz, there are Latin flavors, unabashed free moments, and some implied and direct swing. Further, it is an expression of her well-being, optimism, and future hope for her life in this music. Also in her peer group, pianist Aruan Ortiz and drummer Francisco Mela add a hundredfold to this music and establish themselves as leaders-to-be, and are quite capable partners for Spalding's wonderful sounds. The first piece, a take of the Jimmy Rowles evergreen InchThe Peacocks,Inch let's you know something special is going on. Spalding's bass leads out with the probing piano of Ortiz as wordless vocals and a modal jam all precede the melody, followed by a free section. The imagination quotient of this interpretation is off the charts. InchMompouanaInch is a most impressive circular tune surrounding the sweetness and light of Spalding's voice in a 9/8 time signature, choppy piano motifs, upper to midrange drama, and thoughtful, intricate secondary lines. In their ultimate playful state, InchPerazuánInch and InchPerazelaInch show Spalding's ability to scat, with Ortiz on the former and furiously alongside Mela on the latter track. The other covers are a darker-than-the-original rendition of Chick Corea's neo-bopper InchHumpty DumptyInch and the personable, lighthearted InchLoro,Inch written by Egberto Gismonti. InchTwo Bad,Inch with a feeling reminiscent of the standard InchAlone Together,Inch is a brittle, quirky, and unpredictable tune that is the only instrumental of the lot. Spalding sings no lyric content whatsoever; her style is all natural, sensual, and precious. Whether

This is the long-awaited second album by the Classical Trio, led by violinist Junko Makiyama, who pioneers the horizon of jazz with a classical background.

Vinyl LP pressing. Toshiko Mariano Quartet is the 1961 album from fourteen time Grammy Nominated pianist and composer Toshiko Akiyoshi - then known as Toshiko Mariano. Women have long been denied the credit they deserve in jazz. It must be noted that as a Japanese women in jazz, Akiyoshi had to battle for acceptance on many fronts. Jazz has been a patriarchy community from the beginning, and even critical praise of her playing could not help but take note of her gender. Leonard Feather, for example, writing at the time in the Encyclopedia of Jazz called out Akiyoshi's playing as Inchfiery, powerfully articulated and exceptionally fluent,Inch but added that there was Inchnothing delicately feminine.Inch Even today it is still hard for people to see Jazz in any other way. We are pleased to be a part of shifting the narrative and shine a spotlight on this talented artist and this wonderful album. While she was later to compose using themes, harmonies, and instruments connected to her Japanese heritage, this album captures the pianist early in her career playing a straight ahead, harp bop style. This was already her 7th album as a band leader, and it is a shining example of her confidence and mastery of her instrument and as a band leader. Recorded at the Nola Penthouse Studios in New Your City in December of 1960, the LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff giving a context and insight that adds to the experience of hearing these extraordinary performances. Album Tracks 1. When You Meet Her 2. Little T 3. Toshiko's Elegy 4. Deep River 5. Long Yellow Road