K. Penderecki - Musica Da Camera - COMPACT DISCS [CD]
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The Polish composer Krzysztof Penderecki used to write chamber music even as a student in Cracow. He was writing the chamber music works for himself, then already an accomplished violinist, and his fellow students (The title InchSonata for Violin and PianoInch from 1953 has only recently been published.). A specialty of these early works are Penderecki's inventions with which he altered the sound of the stringed instruments, indeed almost to the point of being completely unrecognizable. With the new sounds he introduced, he achieved effects both frightening and rough as well as a bewitching, irredescent lyricism a broad scale of sounds and colors which no one would have thought possible with stringed instruments. After the composition of the InchString Quartet No. 1Inch chamber music receded into the background. The next quartet appeared eight years later, and the following pieces for single instruments were mostly Inchgifts of friendshipInch for the outstanding interpreters of his instrumental concertos with orchestra. Only recently, in 1990, has Penderecki turned again intensively to chamber music, composing the strongly virtuoso InchString TrioInch which is also included on this CD. The interpreters of this production are renowned musicians and, being either Polish or having lived and worked in Poland, very familiar with the composer's works.
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- GenreClassicalDescriptionThe Polish composer Krzysztof Penderecki used to write chamber music even as a student in Cracow. He was writing the chamber music works for himself, then already an accomplished violinist, and his fellow students (The title InchSonata for Violin and PianoInch from 1953 has only recently been published.). A specialty of these early works are Penderecki's inventions with which he altered the sound of the stringed instruments, indeed almost to the point of being completely unrecognizable. With the new sounds he introduced, he achieved effects both frightening and rough as well as a bewitching, irredescent lyricism a broad scale of sounds and colors which no one would have thought possible with stringed instruments. After the composition of the InchString Quartet No. 1Inch chamber music receded into the background. The next quartet appeared eight years later, and the following pieces for single instruments were mostly Inchgifts of friendshipInch for the outstanding interpreters of his instrumental concertos with orchestra. Only recently, in 1990, has Penderecki turned again intensively to chamber music, composing the strongly virtuoso InchString TrioInch which is also included on this CD. The interpreters of this production are renowned musicians and, being either Polish or having lived and worked in Poland, very familiar with the composer's works.ArtistK. PendereckiTitleMusica Da CameraFormatCDLabelWergo Germany
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The Polish composer Krzysztof Penderecki used to write chamber music even as a student in Cracow. He was writing the chamber music works for himself, then already an accomplished violinist, and his fellow students (The title InchSonata for Violin and PianoInch from 1953 has only recently been published.). A specialty of these early works are Penderecki's inventions with which he altered the sound of the stringed instruments, indeed almost to the point of being completely unrecognizable. With the new sounds he introduced, he achieved effects both frightening and rough as well as a bewitching, irredescent lyricism a broad scale of sounds and colors which no one would have thought possible with stringed instruments. After the composition of the InchString Quartet No. 1Inch chamber music receded into the background. The next quartet appeared eight years later, and the following pieces for single instruments were mostly Inchgifts of friendshipInch for the outstanding interpreters of his instrumental concertos with orchestra. Only recently, in 1990, has Penderecki turned again intensively to chamber music, composing the strongly virtuoso InchString TrioInch which is also included on this CD. The interpreters of this production are renowned musicians and, being either Polish or having lived and worked in Poland, very familiar with the composer's works.
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K. Penderecki - Chamber Music [COMPACT DISCS] date 10/14/1994
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K. Penderecki - Chamber Works [COMPACT DISCS] date 10/19/1999
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The range of Penderecki's music is exemplified by this disc, which presents five works written over a period of nearly 40 years. Hymne an den heiligen Adalbert was composed in 1997 and evokes the martyred eighth-century Bishop of Prague through spare but fervent gestures. More austere, but intense in it's focus, is Song of the Cherubim, whilst Canticum Canticorum Salomis is a richly sensuous exploration of the Song of Songs. Kosmogonia explores a complex sound tapestry. Strophen (1959) was a breakthrough work - spare, intricate and marvelously tensile. In 2002 Antoni Wit became managing and artistic director of the Warsaw Philharmonic Orchestra and Choir. He has received six GRAMMY nominations for Penderecki's St Luke Passion in 2004 (8.557149), a Polish Requiem in 2005 (8.557386-87), Seven Gates of Jerusalem in 2007 (8.557766), Utrenja in 2009 (8.572031) and Karol Szymanowski's Stabat Mater in 2008 (8.570724) and Symphonies Nos. 1 and 4 in 2009 (8.570722).
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