Kayla Waters - Anew - VINYL LP

Double vinyl LP pressing. Issues is the fourth studio album by nu metal band Korn, released on November 16, 1999 through Immortal Records. The album was promoted throughout 2000 by the band's highly successful Sick and Twisted Tour. Korn formed in 1993. The band is known for starting the nu metal genre and making the genre become mainstream. Korn's influences include Alice in Chains, Pantera, Cypress Hill, Ice Cube, N.W.A, Rage Against the Machine, Sepultura, Geto Boys, Van Halen, the Pharcyde, Nine Inch Nails, Deftones, Dr. Dre, and Mr. Bungle. A lot of Korn's work has been inspired by hip hop music. Regarding their influences, bassist Fieldy stated InchThe Rolling Stones, Led Zeppelin - those bands haven't influenced us in any way. Nobody in the band ever listened to that stuff. Our musical history starts with the Red Hot Chili Peppers and early Faith No More. As a band, that's where we begin.Inch

Vinyl LP pressing. Digitally remastered edition. Greatest Hits is the first compilation album by American singer-songwriter James Taylor. Originally released in November 1976, it is the best-selling album of his career and one of the best-selling albums of all time, having sold over 11 Million copies. It features redone versions of InchCarolina in My MindInch and InchSomething in the Way She MovesInch, both of which had been previously included on Taylor's self-titled debut album in 1968. This new contains a brand new remaster of the classic album, with the remastering process being overseen by Peter Asher.

Tranquilizer isn't the sound of sedation but resurfacing. Daniel Lopatin isn't condemning our need for escape, but exploring what happens after. The record maps a movement from weightless calm into something more grounded, the necessary cycle of withdrawal and return that keeps us sane in a world both overwhelming and mundane. We plummet from the watery bliss of InchLifeworldInch into the mournful melancholy of InchCherry BlueInch and spastic grooves of InchRodl Glide.Inch As always with OPN, the real collides with the unreal. Listen closely and you will hear the scrape of fingers on a fretboard, a stone sliding across a dungeon floor, the squeak of a door opening. His music has never been an abstract color field; it has weight, edges, shadows. Tranquilizer feels like falling out of a dream you can still touch.