Kayleigh Goldsworthy - Learning to be Happy - Red - VINYL LP
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By early 2020, Kayleigh Goldsworthy had finally figured out who she was. The long-time hired-gun musician from Syracuse and based in south Philadelphia, who had spent a decade backing up the likes of Dave Hause, Bayside, Frank Iero, and others, was ready to commit fully to a solo career of her own work. The day after New Year's Day 2020, Goldsworthy started recording her second solo LP, seven years after her debut Burrower, with Will Yip at Studio 4 outside Philly.Then everything changed. The job and life Goldsworthy had pursued since her teen years was ripped away tours, shows, studio time, even band practices and writing sessions, all gone. Along with those went away a hard-won sense of self. All those things that had given Goldsworthy the confidence and push to believe in herself and her work disappeared.InchI had figured out who I was,Inch says Goldsworthy, Inchthen this whole thing happened, and I had to figure out who I was again.InchThese are the conditions that created Learning To Be Happy, a story of undoing and becoming that begins at what Goldsworthy thought was the end that assuredness and strength of January 2020. This story unspools over a thrilling, winding saga of scrappy, arena-ready pop rock, charged pop punk, and acoustics-and-piano balladry. The LP's 10 tracks are often heavy and sometimes dark, but always relentlessly confident and hopeful, threaded through with the sort of bruised optimism that rewards all those who do the difficult work of wrestling with what it means to be happy.
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- GenreRockDescriptionBy early 2020, Kayleigh Goldsworthy had finally figured out who she was. The long-time hired-gun musician from Syracuse and based in south Philadelphia, who had spent a decade backing up the likes of Dave Hause, Bayside, Frank Iero, and others, was ready to commit fully to a solo career of her own work. The day after New Year's Day 2020, Goldsworthy started recording her second solo LP, seven years after her debut Burrower, with Will Yip at Studio 4 outside Philly.Then everything changed. The job and life Goldsworthy had pursued since her teen years was ripped away tours, shows, studio time, even band practices and writing sessions, all gone. Along with those went away a hard-won sense of self. All those things that had given Goldsworthy the confidence and push to believe in herself and her work disappeared.InchI had figured out who I was,Inch says Goldsworthy, Inchthen this whole thing happened, and I had to figure out who I was again.InchThese are the conditions that created Learning To Be Happy, a story of undoing and becoming that begins at what Goldsworthy thought was the end that assuredness and strength of January 2020. This story unspools over a thrilling, winding saga of scrappy, arena-ready pop rock, charged pop punk, and acoustics-and-piano balladry. The LP's 10 tracks are often heavy and sometimes dark, but always relentlessly confident and hopeful, threaded through with the sort of bruised optimism that rewards all those who do the difficult work of wrestling with what it means to be happy.ArtistKayleigh GoldsworthyTitleLearning to be Happy - RedFormatVINYLLabelMemory Music
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By early 2020, Kayleigh Goldsworthy had finally figured out who she was. The long-time hired-gun musician from Syracuse and based in south Philadelphia, who had spent a decade backing up the likes of Dave Hause, Bayside, Frank Iero, and others, was ready to commit fully to a solo career of her own work. The day after New Year's Day 2020, Goldsworthy started recording her second solo LP, seven years after her debut Burrower, with Will Yip at Studio 4 outside Philly.Then everything changed. The job and life Goldsworthy had pursued since her teen years was ripped away tours, shows, studio time, even band practices and writing sessions, all gone. Along with those went away a hard-won sense of self. All those things that had given Goldsworthy the confidence and push to believe in herself and her work disappeared.InchI had figured out who I was,Inch says Goldsworthy, Inchthen this whole thing happened, and I had to figure out who I was again.InchThese are the conditions that created Learning To Be Happy, a story of undoing and becoming that begins at what Goldsworthy thought was the end that assuredness and strength of January 2020. This story unspools over a thrilling, winding saga of scrappy, arena-ready pop rock, charged pop punk, and acoustics-and-piano balladry. The LP's 10 tracks are often heavy and sometimes dark, but always relentlessly confident and hopeful, threaded through with the sort of bruised optimism that rewards all those who do the difficult work of wrestling with what it means to be happy.

Limited gold colored vinyl LP pressing. Reissue. A band out of time, Crime & the City Solution were perennial outsiders who could not rest in their native Australia, and instead found inspiration in the colder climes of London and Berlin. Their mesmeric, expressive music evolved through many incarnations and a great deal of adversity. The first incarnation of the band appeared in 1977/78, in the midst of Australia's nascent punk scene and re- grouped in London in 1984. After the departure of the Rowland brothers and Epic Soundtracks, the line-up settled upon the making of Shine with singer Simon Bonney, Einstürzende Neubauten's guitarist Alexander Hacke, DAF's synth player Chrislo Haas, jazz bassist Thomas Stern, violinist Bronwyn Adams and Bad Seed's Mick Harvey on drums. With the departure of Soundtracks and the Howard brothers for the formation of These Immortal Souls, Bonney, Harvey and Adams settled in Berlin. Here they called upon Thomas Stern, Bronwyn Adams, DAF's Chrislo Haas and Einstürzende Neubauten's guitarist Alexander Hacke to create Shine. The album was recorded at Hansa Tonstudio in the second half of 1987 and later released in 1988. Shine was more finely tuned, optimistic and delicately abrasive, with the reconstructed line-up admirably marrying Hacke's post-punk-into-blues guitar with Adam's feathered violin and Bonney's gruff vocals.

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