Kiefer - When There's Love Around - VINYL LP
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Double vinyl LP pressing. When There's Love Around is an album of two halves. The first is Inchabout feeling small and insignificant and stressed,Inch Kiefer says. InchIt's about things that cause me to worry, but at the end of the day, are probably unimportant from a larger cosmic perspective.Inch The nostalgia of looking through old childhood pictures in one of the lead tracks, InchI remember this picture,Inch is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates. The album's second half is more reflective and spiritual, it's cathartic mood occasioned by the loss of Kiefer's beloved grandmother. While grief and loss are main themes, the tone is still largely positive - Kiefer describes himself as an optimist.
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- GenreJazzDescriptionDouble vinyl LP pressing. When There's Love Around is an album of two halves. The first is Inchabout feeling small and insignificant and stressed,Inch Kiefer says. InchIt's about things that cause me to worry, but at the end of the day, are probably unimportant from a larger cosmic perspective.Inch The nostalgia of looking through old childhood pictures in one of the lead tracks, InchI remember this picture,Inch is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates. The album's second half is more reflective and spiritual, it's cathartic mood occasioned by the loss of Kiefer's beloved grandmother. While grief and loss are main themes, the tone is still largely positive - Kiefer describes himself as an optimist.ArtistKieferTitleWhen There's Love AroundFormatVINYLLabelStones Throw
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Double vinyl LP pressing. When There's Love Around is an album of two halves. The first is Inchabout feeling small and insignificant and stressed,Inch Kiefer says. InchIt's about things that cause me to worry, but at the end of the day, are probably unimportant from a larger cosmic perspective.Inch The nostalgia of looking through old childhood pictures in one of the lead tracks, InchI remember this picture,Inch is reflected on the album cover, a Polaroid of Kiefer and his sister, painted by Mikey Yates. The album's second half is more reflective and spiritual, it's cathartic mood occasioned by the loss of Kiefer's beloved grandmother. While grief and loss are main themes, the tone is still largely positive - Kiefer describes himself as an optimist.

Vinyl LP pressing. Kiefer's Between Days is the third of a trilogy made in collaboration with visual artist Mason London, following Superbloom and Bridges EPs. Kiefer considers the trilogy as a single cohesive project, with his new songs building upon the sound of the previous ones. The three animated album singles 'Superhero', 'Friends' and 'Everybody Loves the Sunshine' were brought to life by Mason London along with the album artwork. Contributing features include The Kount, 10.4 ROG, Lakey Inspired and Theo Croker. Between Days soundtracks the isolation of the pandemic in a warm and comforting way, featuring classic Kiefer beats as well as covers including The Cure track that inspired the EP title.

Happysad is jazz pianist Kiefer's first album for Stones Throw. Although Kiefer has lent his talents to rappers and vocalists such as Kaytranada and Anderson.Paak, his compositional chops mean that the instrumental piano songs on Happysad work beautifully as standalone pieces. Kiefer describes Happysad as Inchmy emotional journal of the last year. I struggle emotionally a lot, and yet I feel pretty damn good much of the time. This album is focused on both joy and sadness, and how they are always intertwined.Inch1. Dope Nerd2. What a Day3. Highway 464. Highway 415. Magnetic6. Socially Awkward7. Memories of U8. Thinkin of9. Agoraphobia10. FOMO11. Temper12. Upwards13. AAAAA

Strut present the first ever compilation series to access the archives of one of the greatest of all French Caribbean labels, Disques Debs out of Guadeloupe. Set up by the late Henri Debs during the late '50s, the tag and studio has continued for over 50 years, releasing over 300 7Inch singles and 200 LPs, covering styles varying from early biguine and bolero to zouk and reggae. Debs played a pivotal role in bringing the creole music of Guadeloupe and Martinique to a wider international audience.
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