Kiehr - Josquin Songbook - COMPACT DISCS [CD]

A tribute to Italian Baroque, Antonio Caldara and his Gloria a 8 voci, transcribed, performed and recorded for the first time ever, a masterpiece of pompous Venetian sacredness to which the wonderful Lauda by Ottorino Respighi was wanted to be juxtaposed. Two centuries later, the Bolognese composer gives a perfect example of rewriting together medieval, Renaissance and Baroque music. A way to reaffirm the strong bond between Baroque and the 20th century, always a source of great inspiration.

The Second Book of Madrigals of Carlo Gesualdo provides the focal point for the latest in La Compagnia del Madrigale's stunning reappraisals of the glories of the Italian madrigal on Glossa. Probably written by Gesualdo between the time of the double honour killing of his first wife and her lover and his subsequent remarriage, the second book presents a sophisticated compositional mastery quite in keeping with the later books, albeit offering a calmer and gentler approach compared to the more tortured and twisted musical and psychological turns found in the last books. Notwithstanding, much is required from the singers on the Secondo libro di madrigali a cinque voci and La Compagnia del Madrigale bring their much- praised sensitivity to the text, balance of ensemble and dynamic control. In the booklet, both Marco Bizzarini and Giuseppe Maletto investigate the state of mind of this fascinating composer, over four centuries since his death. The substantial second part to this recording offers a set of contrasts with Book 2 nine tracks devoted to madrigalists inspired by Gesualdo's style, from contemporaries in Nenna, Macque and Palazzotto Tagliavia to the later Sigismondo d'India. A veritable bonus!

Andres Mustonen, artistic director of Hortus Musicus, writes of the group's new InchThe present , titled Canto, is not trying to be an anthological overview of Italian music from the 16th and 17th centuries. It is rather a walk through the streets of Italian cities of the time, sometimes passing by a church, sometimes slipping into taverns or listening to sounds coming from the open windows of the doge's palazzo... This album lacks the puritanical-musicological ambition to remove a layer of dust from the yellowed manuscripts lying on archive shelves. The uninhibited performance of Hortus Musicus - that is life, our life itself.Inch