Kletzki / Bamberger Sym / Rosner - Orchestervariationene & Symphonie No 3 - COMPACT DISCS [CD]

The musical language of the New York-based Arnold Rosner (1945-2013) had it's roots in the modal harmony and rhythm of pre-Baroque polyphony and evolved in an array of unusual directions, producing a style that is instantly recognizable and immediately appealing - as can be heard in the three works on this recording. Rosner's Nocturne suggests the immensity - and the implacable violence - of outer space, whereas his overture Tempus Perfectum has it's starting point in Renaissance dance. The monumental Sixth Symphony opens with music of volcanic ferocity and vehemence; the central Adagio then provides an island of troubled calm before the dignified opening of the finale presages a symphonic Allegro of wild, freewheeling energy; only when it's immense force is spent does this powerful masterpiece sink to an uneasy close.

Japanese SHM-CD pressing. Universal. 2018.

The Munich concert year of 2005 began at the end of January with two highlights the two performances of Bruckner's Third Symphony with Mariss Jansons conducting the Symphonieorchester des Bayerischen Rundfunks in the Philharmonie i'm Gasteig. The live recording makes it possible to experience one of the landmarks of the Late Romantic symphonic repertoire, conducted by an outstanding Bruckner connoisseur. Bruckner completed the score of the opening movement, the Adagio and the Scherzo of his nascent Third Symphony between February and July 1873, and sketched out it's finale on August 31, 1873 in Marienbad, Bohemia. The composer then travelled to Bayreuth, and presented Richard Wagner with his Second Symphony and the already completed manuscripts for the Third. Bruckner asked Wagner to select the symphony he preferred, intending to dedicate it to him - but since both men drank quite a bit of beer during their thorough perusal of the manuscripts, Bruckner was later unable to remember which work Wagner had ultimately chosen, and this had to be clarified in writing. The Third Symphony was completed on December 31, 1873. This first version of Bruckner's Third Symphony became famous because it contained quotations from Wagner's opera InchTristan und IsoldeInch and his tetralogy InchDer Ring des NibelungenInch. These quotations were, however, incorporated into blocks that were separated by general rests, so could be later removed without interfering with the substance of the symphony. In 1877, Bruckner fundamentally revised the work, shortened it and eliminated the Wagner quotations. Then, in 1888, he worked out a third and final version, which forms the basis of the present interpretation.