KLIMT 1918 - Amor - COMPACT DISCS [CD]
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About this product
Àmor is a pure rush of passion and irresistibly sexy! The burning pulse of the sun's nuclear fire scorching the desert. The smooth sliding of glistening skin over other skin in a throbbing rhythm. The swelling hum of motion in a mass of bodies. KLIMT 1918 capture many such fleeting moments in time and preserve them through cascading walls of sound and the elegant drone of guitars. The Italian's fifth album, InchÀmorInch, represents a climax of their acclaimed previous work into a most melancholic, sensual, and majestic collection of captivating music. InchÀmorInch was born out of silence, solitude and social distancing. Yet as a deliberate artistic counterpoint, KLIMT 1918 decided to have all their new songs revolve around carnality, ardour, physical contact between bodies, and the urgent, compelling feelings that keep people awake at night. As a crowning glory, KLIMT 1918 were artistically knighted when the legendary Tony Doogan accepted to mix 'Àmor' and Frank Arkwright (Abbey Road Studios) added his mastering genius. Both renowned engineers have previously joined forces to collaborate with such acts as MOGWAI and SNOW PATROL, and their portfolios also include such greats as JOY DIVISION, COLDPLAY, and OASIS among many others. Although it took plenty of time, diligence, and energy, InchÀmorInch proves with every second that the album is more than worth this long wait. KLIMT 1918 take their raw emotionality expressed in dynamic, glowing soundscapes rather than fixed structures and calculated hooks to another peak!
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- GenreRockDescriptionÀmor is a pure rush of passion and irresistibly sexy! The burning pulse of the sun's nuclear fire scorching the desert. The smooth sliding of glistening skin over other skin in a throbbing rhythm. The swelling hum of motion in a mass of bodies. KLIMT 1918 capture many such fleeting moments in time and preserve them through cascading walls of sound and the elegant drone of guitars. The Italian's fifth album, InchÀmorInch, represents a climax of their acclaimed previous work into a most melancholic, sensual, and majestic collection of captivating music. InchÀmorInch was born out of silence, solitude and social distancing. Yet as a deliberate artistic counterpoint, KLIMT 1918 decided to have all their new songs revolve around carnality, ardour, physical contact between bodies, and the urgent, compelling feelings that keep people awake at night. As a crowning glory, KLIMT 1918 were artistically knighted when the legendary Tony Doogan accepted to mix 'Àmor' and Frank Arkwright (Abbey Road Studios) added his mastering genius. Both renowned engineers have previously joined forces to collaborate with such acts as MOGWAI and SNOW PATROL, and their portfolios also include such greats as JOY DIVISION, COLDPLAY, and OASIS among many others. Although it took plenty of time, diligence, and energy, InchÀmorInch proves with every second that the album is more than worth this long wait. KLIMT 1918 take their raw emotionality expressed in dynamic, glowing soundscapes rather than fixed structures and calculated hooks to another peak!ArtistKLIMT 1918TitleAmorFormatCDLabelProphecy
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Gioacchino Rossini (1792-1868) was the most significant Italian composer of the first half of the nineteenth century. Born to working musicians - his father was a horn player, his mother an opera singer - his operas, both comic and serious, conquered Maples, Italy and later the rest of the world. His style is sensuous, brilliant and rhythmically vital, a constant source of delight and excitement. Rossini was just twelve years old when during the summer holidays, spent in 1804 at the Conventello in Ravenna estate in the home of the Triossi family, he composed the InchSei sonate a quattroInch. Rossini had been invited by the young Agostino Triossi, a self-taught double bass player, who had asked him to write chamber music for him and for his cousins Luigi and Giovanni Morini, who used to play the violin and the cello, respectively. After their composition, the tradition of performing them frequently in transcription for string ensembles has established itself, although the performance, according to the original text, (certainly better), highlights the lively dialogue among the instruments. The present recording is played in the original form by four string players, Francesco Manara, Daniele Pascoletti, Massimo Polidori and Francesco Siragusa, in the best Italian tradition of instrumental Belcanto.
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