KMFDM - Hyena - VINYL LP
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KMFDM's new album HYËNA is a maniacal laugh in the face of maniacs who assume control, desperately trying to convince you that what you see, what you hear, what you read is not real - don't you believe it! Nearly four decades on, KMFDM continues to keep it real for you as HYËNA proves to be among the group's leanest and meanest efforts, feeding fuel to the fury!
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- GenreRockDescriptionKMFDM's new album HYËNA is a maniacal laugh in the face of maniacs who assume control, desperately trying to convince you that what you see, what you hear, what you read is not real - don't you believe it! Nearly four decades on, KMFDM continues to keep it real for you as HYËNA proves to be among the group's leanest and meanest efforts, feeding fuel to the fury!ArtistKMFDMTitleHyenaFormatVINYLLabelMetropolis Records
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KMFDM's new album HYËNA is a maniacal laugh in the face of maniacs who assume control, desperately trying to convince you that what you see, what you hear, what you read is not real - don't you believe it! Nearly four decades on, KMFDM continues to keep it real for you as HYËNA proves to be among the group's leanest and meanest efforts, feeding fuel to the fury!
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Macedonian pianist Simon Trpceski continues his critically acclaimed piano concertos series on Linn Records with a 'spectacular' (Bachtrack) live recording of Saint-Saens' Piano Concertos Nos. 2 & 5, both performed at the Glasgow Royal Concert Hall with Thomas Sondergard conducting the colourful and energetic Royal Scottish National Orchestra. It took Saint-Saens just seventeen days to compose the Second Concerto and practice for the premiere under the baton of Anton Rubinstein! A feat as impressive as the quality of the work itself whose well-balanced movements look back on Faure and Bach. The Fifth Concerto is the composer's answer to Wagner mania. Indeed, the work can almost be taken as a hint to his compatriots that there were plenty of other sources of inspiration available, such as the Nubian love song that Saint-Saens had heard sung by boatmen on the Nile and the sound of croaking frogs, which feature in the second movement and give the work it's title 'The Egyptian'. This Concerto is a showcase of virtuosity for both composer and pianist.
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