Krassimira Stoyanova - Eugene Onegin - DVD
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Kasper Holten's inaugural production as director of opera for the Royal Opera returns to Pushkin's verse novella to reveal the shadows of memory which haunt Tchaikovsky's lyric tragedy. Using doubles to suggest the paths taken, or not taken, by it's two impulsive protagonists, Holten gives eloquent voice to the loss and regret that lies at the heart of Eugene Onegin. Simon Keenlyside and Krassimira Stoyanova bring both experience and dynamic energy to the pair of protagonists, while the youthful, 'heartrending' tenor of Pavol Breslik and the idiomatic sweep of Robin Ticciati's 'inspired' conducting (The Independent) were enthusiastically received at the premiere of this visually opulent staging.
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- GenreMusicDescriptionKasper Holten's inaugural production as director of opera for the Royal Opera returns to Pushkin's verse novella to reveal the shadows of memory which haunt Tchaikovsky's lyric tragedy. Using doubles to suggest the paths taken, or not taken, by it's two impulsive protagonists, Holten gives eloquent voice to the loss and regret that lies at the heart of Eugene Onegin. Simon Keenlyside and Krassimira Stoyanova bring both experience and dynamic energy to the pair of protagonists, while the youthful, 'heartrending' tenor of Pavol Breslik and the idiomatic sweep of Robin Ticciati's 'inspired' conducting (The Independent) were enthusiastically received at the premiere of this visually opulent staging.TitleEugene OneginFormatDVDMPAA RatingNRStudioBBC / Opus Arte
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Kasper Holten's inaugural production as director of opera for the Royal Opera returns to Pushkin's verse novella to reveal the shadows of memory which haunt Tchaikovsky's lyric tragedy. Using doubles to suggest the paths taken, or not taken, by it's two impulsive protagonists, Holten gives eloquent voice to the loss and regret that lies at the heart of Eugene Onegin. Simon Keenlyside and Krassimira Stoyanova bring both experience and dynamic energy to the pair of protagonists, while the youthful, 'heartrending' tenor of Pavol Breslik and the idiomatic sweep of Robin Ticciati's 'inspired' conducting (The Independent) were enthusiastically received at the premiere of this visually opulent staging.

Tchaikovsky's lyric opera 'Eugene Onegin' is based on Alexander Pushkin's novel in verse - a masterpiece of Russian literature. The narrative tells the story of Onegin's remorse in rejecting the young Tatyana and his instigation of a fatal duel in which his friend Lensky dies. The opera is constructed in what Tchaikovsky termed 'lyrical scenes', with music that articulates the feelings of the characters with great sensitivity and subtlety. With a minimalist set design, director Laurent Pelly's staging underlines the lightness and sadness of the subject while fully expressing the characters' fantasies and inner torments. After his forays into the Russian repertoire, Alain Altinoglu conducts La Monnaie Symphony Orchestra and Chorus with a cast of outstanding singers.

Kasper Holten's inaugural production as director of opera for the Royal Opera returns to Pushkin's verse novella to reveal the shadows of memory which haunt Tchaikovsky's lyric tragedy. Using doubles to suggest the paths taken, or not taken, by it's two impulsive protagonists, Holten gives eloquent voice to the loss and regret that lies at the heart of Eugene Onegin. Simon Keenlyside and Krassimira Stoyanova bring both experience and dynamic energy to the pair of protagonists, while the youthful, 'heartrending' tenor of Pavol Breslik and the idiomatic sweep of Robin Ticciati's 'inspired' conducting (The Independent) were enthusiastically received at the premiere of this visually opulent staging.

Described by Tchaikovsky as 'lyric scenes', Eugene Onegin receives a spectacular reinterpretation from the Norwegian director Stefan Herheim. His productions create controversy and excitement around Europe, and here he takes Pushkin's story of illusion, disaffection and frustrated love, and places the protagonists - world-weary Onegin and naive, passionate Tatyana - in a triple temporal perspective, referencing the theatrical present, the period of the work's composition, and the pageant of Russia's history. Mariss Janson's, renowned for his mastery of Tchaikovsky's symphonies, conducts this performance from Amsterdam's Muziektheater.