Kristian Bezuidenhout - Mendelssohn: Piano Concerto No.2, Symphony No.1 - COMPACT DISCS [CD]
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Mendelssohn Piano Concerto No. 2; Symphony No. 1 - Mendelssohn's first symphonic work scored for full orchestra, the Symphony Op.11 in C minor, paved the way for even greater examples of the genre he was soon to produce. The concert overture Die schöne Melusine and the sparkling Piano Concerto No.2 rely on the type of orchestration and harmonic language that are best served when played on period instruments, as heard here. Devoid of the atmosphere of Romantic doom and gloom, nearly every page of both scores is marked by an exuberant cheerfulness, youthful drive and irrepressible energy in these splendid performances from fortepianist Kristian Bezuidenhout and the Freiburger Barockorchester led by Pablo Heras-Casado.
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- GenreClassicalDescriptionMendelssohn Piano Concerto No. 2; Symphony No. 1 - Mendelssohn's first symphonic work scored for full orchestra, the Symphony Op.11 in C minor, paved the way for even greater examples of the genre he was soon to produce. The concert overture Die schöne Melusine and the sparkling Piano Concerto No.2 rely on the type of orchestration and harmonic language that are best served when played on period instruments, as heard here. Devoid of the atmosphere of Romantic doom and gloom, nearly every page of both scores is marked by an exuberant cheerfulness, youthful drive and irrepressible energy in these splendid performances from fortepianist Kristian Bezuidenhout and the Freiburger Barockorchester led by Pablo Heras-Casado.ArtistKristian BezuidenhoutTitleMendelssohn: Piano Concerto No.2, Symphony No.1FormatCDLabelHarmonia Mundi
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Mendelssohn Piano Concerto No. 2; Symphony No. 1 - Mendelssohn's first symphonic work scored for full orchestra, the Symphony Op.11 in C minor, paved the way for even greater examples of the genre he was soon to produce. The concert overture Die schöne Melusine and the sparkling Piano Concerto No.2 rely on the type of orchestration and harmonic language that are best served when played on period instruments, as heard here. Devoid of the atmosphere of Romantic doom and gloom, nearly every page of both scores is marked by an exuberant cheerfulness, youthful drive and irrepressible energy in these splendid performances from fortepianist Kristian Bezuidenhout and the Freiburger Barockorchester led by Pablo Heras-Casado.
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