La Ninfea Ludwig - Music Is the Cure - COMPACT DISCS [CD]

Album Tracks 1. Aria Cantabile 2. Recitativo 3. Aria Allegro 4. Largo 5. Allegro 6. Recitativo - Presto 7. Recitativo - Largo 8. Allegro 9. Recitativo - Largo 10. Recitativo 11. Aria Affettuoso - Ritornello 12. Recitativo 13. Aria Vivace 14. Yes, Yes 'Tis All I Want 15. Introduzione Affetuoso - Adagio 16. Minuet 17. Recitativo 18. Aria Andante 19. Recitativo 20. Aria Con Affetto 21. Affettuoso E Andante 22. Presto 23. Largo 24. Vivace 25. Aria 26. Recitativo 27. Aria 28. Recitativo 29. Aria Con Viol Di Gamba

Album Tracks 1. Et in Terra Pax 2. Laudamus Te Cantabile 3. Gratias 4. Domine Deus Andante 5. Quoniam 6. Cum Sancto Spiritu 7. Nun Komm, Der Heiden Heiland 8. Lobt Gott, Ihr Christen Allzugleich 9. In Dulci Jubilo (Choralkonzert FüR Trompeten, Pauken Und 5 Blechblã¤Serchã¶Re) 10. Voluntary C-Dur 11. 1. Largo 12. 2. Grave 13. 3. Vivace 14. 4. Grave 15. 5. Largo Andante 16. 6. Andante 17. 7. Pastorale 18. Les Airs de Trompettes, Timbales Et Hautbois Prelude - Menuet - Gigue - Gavotte 19. Rondeau The Prince of Denmark's March 20. Chor Lobt Gott, Ihr Christen 21. Arie Ich Preise Dich 22. Rezitativ Was Habe Wir Sonst 23. Chor Amen, Lob Und Ehre 24. Arie Nun Freue Ich Mich 25. Schlusschoral Heut Schleusst Er Wieder Auf

Hardly any biographical information about the composer Martin Christian Schultze has been handed down to us. On the cover of the Trattamento dell'harmonia, which was engraved and published in Paris in 1773, we find his name with the initials InchM. C.Inch and InchD. B.Inch (InchM. C. Schultze D. B.Inch), which according to the RISM signifies InchMartin Christian Schultze from Berlin.Inch The six symphonies contained in this collection may be understood as harmonic treatises. They have been written very much in the Italian style, and in them we find very many polyrhythmic elements running through all the movements - for example, frequent triplets against sixteenths. In addition, at the time Schultze must have had an outstanding gambist by his side who was able to render this extremely demanding gamba part. The violin part with many double stops and virtuosic passages likewise presupposes some talent. By contrast, the flute part more probably would have been written for an amateur. Here these pieces are interpreted by the Klingekunst Ensemble, whose members base their work on well-founded occupation with historical performance practice but also always assign foremost importance to vibrant musical communication. Album Tracks 1. Sinfonia I in D Major-Allegro 2. Sinfonia I in D Major-Largo Andante 3. Sinfonia I in D Major-Allegro 4. Sinfonia II in G Major-Allegro 5. Sinfonia II in G Major-Adagio Con Affecto 6. Sinfonia II in G Major-Allegro Amoroso 7. Sinfonia III in D Major-Largo 8. Sinfonia III in D Major-Allegro 9. Sinfonia III in D Major-Aria Paysana 10. Sinfonia III in D Major-Vivace 11. Sinfonia IV in F Major-Adagio 12. Sinfonia IV in F Major-Allegro Moderato 13. Sinfonia IV in F Major-Largo 14. Sinfonia IV in F Major-Allegro 15. Sinfonia V in G Major-Pastorale Largo 16. Sinfonia V in G Major-Allegro 17. Sinfonia V in G Major-Lar