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I want total freedom, total possibility, total acceptance. I want to fall in love with the rock. That's how Lillie West describes the theme of "DIVER," the song she calls the thesis of Lala Lala's third record, I Want The Door To Open. The rock in question is a reference to Sisyphus, the mythical figure doomed by the gods to forever push a boulder up from the depths of hell. To West, it is the perfect metaphor for, in her words, "the labor of living, of figuring out who you are, what's wrong with you, what's right with you." Coming off of 2018's acclaimed The Lamb, an introspective indie rock album recorded live with a three-piece band, West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she'd done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles. The result is I Want The Door To Open, a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares "I want to look right into the camera" over a cascade of dreamy vocal loops on opening track "Lava," I Want The Door To Open distinguishes itself from anything she's done before in scope and intensity. The ultra-magnified iteration of Lala Lala is fully encapsulated in the monumental "DIVER." Inspired by a character from a Jennifer Egan novel, it's a pop song of Kate Bush-esque proportions replete with layered synths and booming, wide open drumming by fellow Chicago musician Nnamdi Ogbonnaya, and West pushing her vocals to the ragged edge. I Want The Door To Open is a musical quest undertaken with the knowledge that the titular door
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I want total freedom, total possibility, total acceptance. I want to fall in love with the rock. That's how Lillie West describes the theme of "DIVER," the song she calls the thesis of Lala Lala's third record, I Want The Door To Open. The rock in question is a reference to Sisyphus, the mythical figure doomed by the gods to forever push a boulder up from the depths of hell. To West, it is the perfect metaphor for, in her words, "the labor of living, of figuring out who you are, what's wrong with you, what's right with you." Coming off of 2018's acclaimed The Lamb, an introspective indie rock album recorded live with a three-piece band, West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she'd done before; a record that would be less a straightforward documentation of her own personal struggles and more like a poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles. The result is I Want The Door To Open, a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares "I want to look right into the camera" over a cascade of dreamy vocal loops on opening track "Lava," I Want The Door To Open distinguishes itself from anything she's done before in scope and intensity. The ultra-magnified iteration of Lala Lala is fully encapsulated in the monumental "DIVER." Inspired by a character from a Jennifer Egan novel, it's a pop song of Kate Bush-esque proportions replete with layered synths and booming, wide open drumming by fellow Chicago musician Nnamdi Ogbonnaya, and West pushing her vocals to the ragged edge. I Want The Door To Open is a musical quest undertaken with the knowledge that the titular door
![Various Artists - KPop Demon Hunters (Soundtrack from the Netflix Film) - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/b8830e70-03ed-4f20-870b-56f9333e40e6.jpg;maxHeight=422;maxWidth=264?format=webp)
Various Artists - "KPop Demon Hunters (Soundtrack from the Netflix Film)". KPop Demon Hunters, a Netflix film from Sony Pictures Animation, follows K-pop superstars Rumi, Mira and Zoey - when they aren't selling out stadiums, they use their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet - an irresistible rival boy band of demons in disguise. KPop Demon Hunters stars Arden Cho, Ahn Hyo-seop, May Hong and Ji-young Yoo, and releases globally on Netflix June 20, 2025. The KPop Demon Hunters soundtrack includes the new song "TAKEDOWN, " featuring Jeongyeon, Jihyo, and Chaeyoung from K-pop powerhouse girl group, TWICE. Includes fold-out poster and photo card (random 1 of 3). Album Tracks 1. Takedown - Twice (Jeongyeon, Jihyo, Chaeyoung) 2. How It's Done - Huntr/X (Ejae, Audrey Nuna, and Rei Ami) 3. Soda Pop - Saja Boys (Andrew Choi, Neckwav, Danny Chung, Kevin Woo, and Samuil Lee) 4. Golden - Huntr/X (Ejae, Audrey Nuna, and Rei Ami) 5. Strategy - Twice 6. Takedown - Huntr/X (Ejae, Audrey Nuna, and Rei Ami) 7. Your Idol - Saja Boys (Andrew Choi, Neckwav, Danny Chung, Kevin Woo, and Samuil Lee) 8. Free - Rumi and Jinu (Ejae and Andrew Choi) 9. What It Sounds Like - Huntr/X (Ejae, Audrey Nuna, and Rei Ami) 10. Love Maybe - Melomance 11. Path - Jokers 12. Score Suite - Marcelo Zarvos
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