Les Imprimes - Reverie - COMPACT DISCS [CD]

Born in Hamburg in 1786, the son of a military bandsman, Friedrich Kuhlau showed early musical promise and took lessons with a student of CPE Bach. When Napoleon's troops invaded Hamburg in 1810, the 24-year-old Kuhlau fled with his family to Copenhagen, and there he made his name as a pianist and composer to the royal court. Taking Danish citizenship in 1813, he worked in the vanguard of the country's fast-moving cultural scene, enjoying huge success as a composer of operas and incidental music. Kuhlau was himself a flautist of modest accomplishment, but the popularity of salon culture in Denmark increased the demand for flute and piano music - which were both fashionable at the time - to such an extent that Kuhlau complained, in a letter to his in 1829, about having too many commissions. While a flautist of modest accomplishment himself, Kuhlau wrote with unfailing craft, sympathy and imagination for the instrument and before their publication he submitted his new works for approval from the principal flautist of the Court Chapel's orchestra. The seven trios recorded here display a surprising variety of texture and mood. Even the trio of Op.13 works from 1815 ranges from the Baroque manners of No.3's Adagio to a much grander scale of expression in the slow introduction which opens the curtain on No.1 and on the set as a whole. There is a dashing, Mendelssohnian quality to both the melodies and the sunny disposition of the Op.86 set from 1827 which itself is set aside for a more intense, Beethovenian argument in the grand trio Op.90. In 2015 three Asian flautists founded the Flute East Trio at the Hanns Eisler Academy of Music in Berlin.

Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7Inch single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low profile while making his heartfelt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with. The first thing you notice listening to Les Imprimés is the high level of musicianship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a Hip Hop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is as an artist on his own terms. Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experience behind the boards he built his own studio on the island of Odderøya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape.However, Inchit wasn't until COVID, when things locked down, that I was really able to find the time to focus on Les ImprimésInch Morten says about creating and leading his own solo project. InchIt was a scary time. But I knew I had to do something with it.Inch He took the sum of his influences, combined them with his own vibe and got busy writing the music, playing

When it comes to technique, speed, power, and the ability to put together incredible drum solos, Buddy Rich lived up to the billing of 'the world's greatest drummer.' His was a career that spanned seven decades, beginning when Rich was 18 months old and continuing until his death in 1987. Immensely gifted, Rich could play with remarkable speed and dexterity despite the fact that he never received a formal lesson and refused to practice outside of his performances. This album is a collection of the very best live solos Buddy performed on the road in the mid to late 70s, recorded with Rich's permission by Buddy Rich Band alumnus Alan Gauvin. With over 70 minutes of pure energy captured at the prime of Buddy's career, this rare, exclusive and all original collection is a windfall for avid Buddy Rich fans and drummers alike.