Livingston Taylor - There You Are Again - COMPACT DISCS [CD]
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... Livingston Taylor's first studio album of new material in nine years finds it's footing. The song does set the tone of this disc, though, finding the younger Taylor in a particularly upbeat, love-the-world mood. The following tune, InchThere I'll Be,Inch unites Taylor siblings James and Kate for the first time on one of Livingston's best tunes. A lovely mid-tempo ballad with a lilting melody and a snappy electric guitar fill from Vince Gill, it is a capsule of everything Livingston does well when the parts fit. There is still no mistaking the similarity to older brother James, at least vocally, but these songs shade more to classic pop, gospel, and jazz. The extended wait between albums has paid off in the immaculate production devoted to each song. A crack band including pros such as drummer Steve Gadd, keyboardist Matt Rollings, saxist David Sanborn, and bass player Leland Sklar meticulously brings each tune to life, although the disc's slick production and pristine recording sometimes undermines the singer's rootsier influences. Andraé Crouch conducts a gospel choir on the spiritual InchStep by StepInch and the a cappela vocals of Take 6 help bring the religion on InchTell Jesus (To Come to My House).Inch LIV shifts into a jazz mood on InchTuesday's Lullaby,Inch helped enormously by vibe master Gary Burton. All told, it's a delightful outing, a little on the cutesy, some might say cheesy, side with tracks such as the playful InchBlame It on MeInch and the good-natured Lyle Lovett-styled jazz-folk InchBoss of Me.Inch But that's Livingston's personality and world view and he genuinely sounds like he's enjoying himself on this upbeat, generally smile-inducing collection. Bouncy, bubbly, sometimes whimsical, but never pretentious, the album finds an established yet often overlooked veteran comfortable with his life and his art.
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- GenreRockDescription... Livingston Taylor's first studio album of new material in nine years finds it's footing. The song does set the tone of this disc, though, finding the younger Taylor in a particularly upbeat, love-the-world mood. The following tune, InchThere I'll Be,Inch unites Taylor siblings James and Kate for the first time on one of Livingston's best tunes. A lovely mid-tempo ballad with a lilting melody and a snappy electric guitar fill from Vince Gill, it is a capsule of everything Livingston does well when the parts fit. There is still no mistaking the similarity to older brother James, at least vocally, but these songs shade more to classic pop, gospel, and jazz. The extended wait between albums has paid off in the immaculate production devoted to each song. A crack band including pros such as drummer Steve Gadd, keyboardist Matt Rollings, saxist David Sanborn, and bass player Leland Sklar meticulously brings each tune to life, although the disc's slick production and pristine recording sometimes undermines the singer's rootsier influences. Andraé Crouch conducts a gospel choir on the spiritual InchStep by StepInch and the a cappela vocals of Take 6 help bring the religion on InchTell Jesus (To Come to My House).Inch LIV shifts into a jazz mood on InchTuesday's Lullaby,Inch helped enormously by vibe master Gary Burton. All told, it's a delightful outing, a little on the cutesy, some might say cheesy, side with tracks such as the playful InchBlame It on MeInch and the good-natured Lyle Lovett-styled jazz-folk InchBoss of Me.Inch But that's Livingston's personality and world view and he genuinely sounds like he's enjoying himself on this upbeat, generally smile-inducing collection. Bouncy, bubbly, sometimes whimsical, but never pretentious, the album finds an established yet often overlooked veteran comfortable with his life and his art.ArtistLivingston TaylorTitleThere You Are AgainFormatCDLabelWhistling Dog Music
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... Livingston Taylor's first studio album of new material in nine years finds it's footing. The song does set the tone of this disc, though, finding the younger Taylor in a particularly upbeat, love-the-world mood. The following tune, InchThere I'll Be,Inch unites Taylor siblings James and Kate for the first time on one of Livingston's best tunes. A lovely mid-tempo ballad with a lilting melody and a snappy electric guitar fill from Vince Gill, it is a capsule of everything Livingston does well when the parts fit. There is still no mistaking the similarity to older brother James, at least vocally, but these songs shade more to classic pop, gospel, and jazz. The extended wait between albums has paid off in the immaculate production devoted to each song. A crack band including pros such as drummer Steve Gadd, keyboardist Matt Rollings, saxist David Sanborn, and bass player Leland Sklar meticulously brings each tune to life, although the disc's slick production and pristine recording sometimes undermines the singer's rootsier influences. Andraé Crouch conducts a gospel choir on the spiritual InchStep by StepInch and the a cappela vocals of Take 6 help bring the religion on InchTell Jesus (To Come to My House).Inch LIV shifts into a jazz mood on InchTuesday's Lullaby,Inch helped enormously by vibe master Gary Burton. All told, it's a delightful outing, a little on the cutesy, some might say cheesy, side with tracks such as the playful InchBlame It on MeInch and the good-natured Lyle Lovett-styled jazz-folk InchBoss of Me.Inch But that's Livingston's personality and world view and he genuinely sounds like he's enjoying himself on this upbeat, generally smile-inducing collection. Bouncy, bubbly, sometimes whimsical, but never pretentious, the album finds an established yet often overlooked veteran comfortable with his life and his art.
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It is said that the best way to discover a city is to get lost in it. After composing music for film, tv, theatre and animation for over 20 years, Montreal composer Mathieu Vanasse felt it was time to lose himself in a personal project of his own works and explore his own inner map, an archipelago of the mind. His approach on this gentle and evocative album, Archipel, is one where he blends electronic elements with piano and strings into pathless, hypnotic soundscapes - like travelling without a map. If his work as film composer was underscoring images, the original works on this opus are cinematic in their own right. Naming Erik Satie and Talk Talk's last two albums, Spirit of Eden and Laughing Stock as influences, Vanasse goes on to say, InchI feel that this album, although a departure for me, is still influenced by what is done in composing for image, that blending of the organic and electronic elements.InchIn order to let his subconscious flow as freely as possible, he began each piece on his main instrument, the piano. InchI always composed the melody on the piano first and then built up around it afterwards, Inch says Vanasse. His use of the piano on the album found him quite literally with one hand in the acoustic world and the other in the computer one. InchI thought I would compose mainly on my grand piano, but I ended mixing things up. I sometimes used the MIDI piano for the left hand and the acoustic one for the right hand. The MIDI piano allowed me to distort sounds with the hammers and slightly detune things if I wished,Inch he says. The deceptively simple melodies are immersed in a carefully textured palette of live strings, bass clarinet and other instruments that are used in their natural state as well as going through a myriad of computer processing to achieve the sonic richness of the album. Mathieu elaborates on his process by saying, Inch I sometim
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