Logh - Sunset Panorama - COMPACT DISCS [CD]

Eluveitie, formed in 2002 by Chrigel Glanzmann, has consistently merged modern metal with Celtic musical traditions. Originating from the Swiss Alps and deeply rooted in Celtic history, mythology, and spirituality, the band has become a cornerstone of the modern metal scene. Their debut, InchVenInch (2004), set the stage for a unique blend of melodic death metal and traditional folk. Subsequent albums like InchSlania, Inch InchEverything Remains (As It Never Was), Inch InchHelvetios, Inch and InchOriginsInch solidified their reputation. The acoustic albums InchEvocation I - The Arcane DominionInch and InchEvocation II - PantheonInch showcased their versatility. In 2022, Eluveitie released the singles InchAidusInch and InchExile of the Gods, Inch marking a new chapter in their musical journeyand thematical cyclepursuing the lyrical concept opened by their last studio album InchAtegnatosInch. These tracks were followed by the announcement of their upcoming album, InchÀNV, Inch set for in April 2025. The first single from this album, InchPremonition, Inch has just been unveiled, offering a glimpse into the band's evolving sound. Over the years, Eluveitie has undergone lineup changes, including their latest addition with Lea-Sophie Fischer on violin in May 2024. Despite these changes, the band's essence and soul remains untouched. With nine studio albums, numerous toursall around the globe, and headline shows worldwide, Eluveitie continues to be a dynamic force in the metal genre. As they approach the of InchÀNVInch, Eluveitie remains committed to their roots while exploring new musical horizons. Coming as one of their most profound and earnest albums, InchÀNVInch presents a result of more than 20 years of intense involvement with Celtic mythology and spirituality, translating deeply pagan knowledge fora modern generation. Eluveitie's journeyreflects a dedication to a

Logh - North [COMPACT DISCS] date 04/05/2007

Vinyl LP pressing includes . Since the of CLPPNG, things have changed for the band-William finished his Ph.D. in Theater and Performance Studies with a dissertation on experimental music, Jonathan composed scores for the films Starry Eyes, The Nightmare, Excess Flesh, and Contracted Phase II, and Daveed hit Broadway. Their activities outside Clipping have always influenced their work in the band, but never as much as in the creation of Splendor & Misery. Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship's shuddering hull and chirping instrument panels. William and Jonathan's tracks draw an imaginary sonic map of the ship's decks, hallways, and quarters, while Daveed's lyrics ride the rhythms produced by it's engines and machinery. In a reversal of H.P. Lovecraft's concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, the character decides to pilot his ship into the unknown-and possibly into oblivion-instead of continuing on to worlds whose systems of governance and economy have violently oppressed him.