LoneLady - Hinterland - VINYL LP
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Lone Lady (aka Julie Campell) 's Hinterland (literally 'the country behind' in German) conjures impressions of decayed Manchester outskirts and reclusive inner landscapes as Campbell continues her fascination with the post-industrial ruinscape. At it's core beats an uncomplicated drum machine rhythm and synthetic percussion that recalls fractured memories of minimal wave and even early techno and dance, dynamically spliced through with Campbell's intricate, choppy and propulsive guitar playing. Campbell InchIt's channeling Parliament/Funkadelic, Stevie Wonder, Rufus, Prince, Arthur Russell... among others. A strange - but nonetheless real - meeting of funk and... me from Audenshaw, Manchester.Inch the album is underpinned by an urgent post-punk sensibility, as Campbell describes it - Inchan inescapablycement-colored North of England psyche.Inch
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VINYLSpecifications
- GenreRockDescriptionLone Lady (aka Julie Campell) 's Hinterland (literally 'the country behind' in German) conjures impressions of decayed Manchester outskirts and reclusive inner landscapes as Campbell continues her fascination with the post-industrial ruinscape. At it's core beats an uncomplicated drum machine rhythm and synthetic percussion that recalls fractured memories of minimal wave and even early techno and dance, dynamically spliced through with Campbell's intricate, choppy and propulsive guitar playing. Campbell InchIt's channeling Parliament/Funkadelic, Stevie Wonder, Rufus, Prince, Arthur Russell... among others. A strange - but nonetheless real - meeting of funk and... me from Audenshaw, Manchester.Inch the album is underpinned by an urgent post-punk sensibility, as Campbell describes it - Inchan inescapablycement-colored North of England psyche.InchArtistLoneLadyTitleHinterlandFormatVINYLLabelWarp Records
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Lone Lady (aka Julie Campell) 's Hinterland (literally 'the country behind' in German) conjures impressions of decayed Manchester outskirts and reclusive inner landscapes as Campbell continues her fascination with the post-industrial ruinscape. At it's core beats an uncomplicated drum machine rhythm and synthetic percussion that recalls fractured memories of minimal wave and even early techno and dance, dynamically spliced through with Campbell's intricate, choppy and propulsive guitar playing. Campbell InchIt's channeling Parliament/Funkadelic, Stevie Wonder, Rufus, Prince, Arthur Russell... among others. A strange - but nonetheless real - meeting of funk and... me from Audenshaw, Manchester.Inch the album is underpinned by an urgent post-punk sensibility, as Campbell describes it - Inchan inescapablycement-colored North of England psyche.Inch
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As her name indicates LoneLady writes, performs and records all the components of her music, building up her own soundworlds in a solitary creative process. Whereas previous albums at least allowed the occasional appearance of another human - a drummer - with Former Things even that has now gone.This time, LoneLady has programmed all the beats and sequences, swapping her Telecaster guitar for an eclectic selection of synthesisers and hardware, their limitless creative potential providing the foundations to take the album in a new direction.Former Things is a glowing assemblage of memory we want to preserve a myth that we protect in our minds, to remember across the ages and inspire us always.01. The Catcher02. (There Is) No Logic03. Former Things04. Time Time Time05. Threats06. Fear Colours07. Treasure08. Terminal Ground09. Dark Green Mourning
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