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Luca Guglielmi - Well-Tempered Clavier - COMPACT DISCS [CD]

SKU: 10559803

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Luca Guglielmi InchBach himself did not see the autograph manuscript as a 'definitive' version. He kept it as an 'open manuscript' on the rack of his harpsichord up to his death, using it as a 'textbook' for the lessons he gave to his students, never ceasing to insert a series of corrections, reworkings, improvements, small variants and even performance instructions. Bach's hands-on approach to his work in progress proves just how modern he actually was and remains. Through a truly 'holistic vision' we can embrace artistic parameters inherited from our 18th-century forebears a profound, venerable legacy that remains unknown to the ones who approach the musical art on 'scientific' methods based on calculation and measurement. For this recording we have had the fortune to use an original Christian Zell 1737 harpsichord, a favorite of Gustav Leonhardt to whose memory this volume 1 is dedicated.Inch Album Tracks 1. Preludes & Fugues 1 - 12, BWV 846-857 2. Prelude and Fugue in C Major, BWV 846 3. Prelude and Fugue in C minor, BWV 847 4. Prelude and Fugue in C Sharp Major, BVW 848 5. Prelude and Fugue in C Sharp minor, BWV 849 6. Prelude and Fugue in D Major, BVW 850 7. Prelude and Fugue in D minor, BWV 851 8. Prelude and Fugue in E Flat Major, BWV 852 9. Prelude and Fugue in E Flat minor, BWV 853 10. Prelude and Fugue in E Major, BWV 854 11. Prelude and Fugue in E minor, BWV 855 12. Prelude and Fugue in F Major, BWV 856 13. Prelude and Fugue in F minor, BWV 857 14. Preludes & Fugues 13 - 24, BWV 858-869 15. Prelude and Fugue in F Sharp Major, BWV 858 16. Prelude and Fugue in F Sharp minor, BWV 859 17. Prelude and Fugue in G Major, BWV 860 18. Prelude and Fugue in G minor, BWV 861 19. Prelude and Fugue in a Flat Major, BWV 862 20. Prelude and Fugue in G Sharp minor, BWV 863 21. Prelude and Fugue in a Major, BWV 864 22

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  • Genre
    Classical
    Description
    Luca Guglielmi InchBach himself did not see the autograph manuscript as a 'definitive' version. He kept it as an 'open manuscript' on the rack of his harpsichord up to his death, using it as a 'textbook' for the lessons he gave to his students, never ceasing to insert a series of corrections, reworkings, improvements, small variants and even performance instructions. Bach's hands-on approach to his work in progress proves just how modern he actually was and remains. Through a truly 'holistic vision' we can embrace artistic parameters inherited from our 18th-century forebears a profound, venerable legacy that remains unknown to the ones who approach the musical art on 'scientific' methods based on calculation and measurement. For this recording we have had the fortune to use an original Christian Zell 1737 harpsichord, a favorite of Gustav Leonhardt to whose memory this volume 1 is dedicated.Inch Album Tracks 1. Preludes & Fugues 1 - 12, BWV 846-857 2. Prelude and Fugue in C Major, BWV 846 3. Prelude and Fugue in C minor, BWV 847 4. Prelude and Fugue in C Sharp Major, BVW 848 5. Prelude and Fugue in C Sharp minor, BWV 849 6. Prelude and Fugue in D Major, BVW 850 7. Prelude and Fugue in D minor, BWV 851 8. Prelude and Fugue in E Flat Major, BWV 852 9. Prelude and Fugue in E Flat minor, BWV 853 10. Prelude and Fugue in E Major, BWV 854 11. Prelude and Fugue in E minor, BWV 855 12. Prelude and Fugue in F Major, BWV 856 13. Prelude and Fugue in F minor, BWV 857 14. Preludes & Fugues 13 - 24, BWV 858-869 15. Prelude and Fugue in F Sharp Major, BWV 858 16. Prelude and Fugue in F Sharp minor, BWV 859 17. Prelude and Fugue in G Major, BWV 860 18. Prelude and Fugue in G minor, BWV 861 19. Prelude and Fugue in a Flat Major, BWV 862 20. Prelude and Fugue in G Sharp minor, BWV 863 21. Prelude and Fugue in a Major, BWV 864 22
    Artist
    Luca Guglielmi
    Title
    Well-Tempered Clavier
    Format
    CD
    Label
    Avi
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Luca Guglielmi - Well-Tempered Clavier   - COMPACT DISCS [CD]
Luca Guglielmi - Well-Tempered Clavier - COMPACT DISCS [CD]

Luca Guglielmi InchBach himself did not see the autograph manuscript as a 'definitive' version. He kept it as an 'open manuscript' on the rack of his harpsichord up to his death, using it as a 'textbook' for the lessons he gave to his students, never ceasing to insert a series of corrections, reworkings, improvements, small variants and even performance instructions. Bach's hands-on approach to his work in progress proves just how modern he actually was and remains. Through a truly 'holistic vision' we can embrace artistic parameters inherited from our 18th-century forebears a profound, venerable legacy that remains unknown to the ones who approach the musical art on 'scientific' methods based on calculation and measurement. For this recording we have had the fortune to use an original Christian Zell 1737 harpsichord, a favorite of Gustav Leonhardt to whose memory this volume 1 is dedicated.Inch Album Tracks 1. Preludes & Fugues 1 - 12, BWV 846-857 2. Prelude and Fugue in C Major, BWV 846 3. Prelude and Fugue in C minor, BWV 847 4. Prelude and Fugue in C Sharp Major, BVW 848 5. Prelude and Fugue in C Sharp minor, BWV 849 6. Prelude and Fugue in D Major, BVW 850 7. Prelude and Fugue in D minor, BWV 851 8. Prelude and Fugue in E Flat Major, BWV 852 9. Prelude and Fugue in E Flat minor, BWV 853 10. Prelude and Fugue in E Major, BWV 854 11. Prelude and Fugue in E minor, BWV 855 12. Prelude and Fugue in F Major, BWV 856 13. Prelude and Fugue in F minor, BWV 857 14. Preludes & Fugues 13 - 24, BWV 858-869 15. Prelude and Fugue in F Sharp Major, BWV 858 16. Prelude and Fugue in F Sharp minor, BWV 859 17. Prelude and Fugue in G Major, BWV 860 18. Prelude and Fugue in G minor, BWV 861 19. Prelude and Fugue in a Flat Major, BWV 862 20. Prelude and Fugue in G Sharp minor, BWV 863 21. Prelude and Fugue in a Major, BWV 864 22

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Das Wohltemperirte Clavier, a collection of preludes and fugues in all major and minor keys completed by Johann Sebastian Bach in 1722, was clearly modeled along the lines of Ariadne Musica by Johann Caspar Ferdinand Fischer (1662-1746, Kapellmeister in Baden from 1715 to 1746) - an organ music anthology published for the first time in 1702 and probably known by Bach in it's second 1715 edition. Bach took Fischer's original layout of 20keys and expanded it to a total of 24, thereby creating the first self-contained collection of music written for the entire corpus of existing keys. Bach, who, on the handwritten title page of the beautiful copy now preserved in the Berlin Staatsbibliothek (Mus. Ms. P 415), signed as Hochf. Anhalt-Cöthenischen Capel-Meistern und Directore derer Cammer Musiquen, clearly indicated his purpose in composing this incomparable collection Inchfor the profit of musical youth desirous of learning, and especially for the pastime of those already skilled in this study...Inch

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