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The first to document the solo cello work of musician and composer LucyRailton, the 40-minute composition Blue Veil recorded at Église du Saint-Espritin Paris invites listeners into the realm of precision-tuned states of resonance states made manifest through Railton's careful traversal of her cello's most subtleacoustic characteristics as they harmonically interlock with mind's embodiedmodalities of attention and imagination.Blue Veil arises out of, is sustained in and finally dissolves back into Railton'smomentary presence with her intimate connection to the cello, a way of hearingthat allows for a deeper engagement with harmonic resonance, one that opens aspace for immediate encounters of mind and sound.Railton's exploratory practice of harmonic perception emerges from a focus onthe physical qualities of intervallic and chordal sounds, their textural qualities,degrees of friction, and inner pulsations. Composing in the moment guided byresonances within the cello's body, her own, and their shared vibrational space,Railton moves through Blue Veil by giving sounds what they ask for sounds ofpure texture manifesting as a move through temporal transparency, sounds ofrough texture marking regions of dimensionally dense space.Railton's creative and highly refined use of just intonation harmony deformssound's inner movements in ways that suggest a mode of listening that activelysupplies imagery of sounds implied or completely absent rather than merelysavouring those fully present. This active mode of Inchlistening-withInch, playfully andsemi-metaphorically referred to by Railton as Inchsing-along musicInch, allows listeningto reflexively participate in the music's movement as it gradually passes throughrichly saturated domains of harmonic imagination. And just as the precisiontuned tones of Blue Veil lose their individuality when fusing multifaceteduniformity, listening

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57

Limited vinyl LP repressing in gatefold jacket. Bad is the seventh solo studio album by Michael Jackson. It was released on August 31, 1987, nearly five years after Jackson's previous studio album, Thriller. Bad was recorded during the first half of 1987. The lyrical themes on the record relate to media bias, paranoia, racial profiling, romance, self-improvement and world peace. The album is widely regarded as having cemented Jackson's status as one of the most successful artists of the 1980s, as well as enhancing his solo career and being one of the best musical projects of his career. Five of the singles hit #1 in the United States, while a sixth charted within the Top Ten, and a seventh charted within the Top Twenty on the Hot 100. Bad peaked at #1 in thirteen countries and charted within the Top Twenty in other territories. Album Tracks 1. Bad 2. The Way You Make Me Feel 3. Speed Demon 4. Liberian Girl 5. Just Good Friends 1. Another Part of Me 2. Man in the Mirror 3. I Just Can't Stop Loving You - Michael Jackson Feat. Siedah Garrett 4. Dirty Diana 5. Smooth Criminal
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