Lucy Rose - Something's Changing - COMPACT DISCS [CD]

2019 from the British singer/songwriter. The album was recorded in Brighton last year with producer Tim Bidwell. Lucy says InchSincerity really is the key to this record. It's my truth. Sincerity is the truth of a person, not just the good but the bad the flaws, the realness, which can never be 'perfect'. This album reflects the reality of my life, the toughness life throws at you, and for a period of time it did become too much for me to handle alone.Inch

After forming in 2019 and slowly drip-feeding music into the world during the pandemic, Royel Otis garnered fans in BBC Radio 6 Music, triple j and on US college radio. To date, they have amassed over 35 million streams, covered global playlists on Spotify and Apple Music, and headed out on a debut headline tour of the UK and Europe. After releasing their first music in the form of 2021 EP Campus, the duo shared a further pair of EPs in 2022 - Bar & Grill and Sofa Kings - which slowly and carefully morphed their sound into new shapes, moving away from synths and towards guitars while keeping their signature and rare chemistry. PRATTS & PAIN brings everything from the band's history together on a record that's reverent towards their beginnings but unafraid to push forwards into new sounds. This loose, open formula for what makes a Royel Otis song is written all over PRATTS & PAIN, an album defined by it's sense of fun and adventure.

The concepts of Romanticism and Late Romanticism steer our thoughts towards musical epochs, but the selection on this CD is based on a word art that encompasses romantic notions and experiences such as sorrow, joy, love, anxiety, despair, expectation, and longing that have existed in all times.This CD features, for the first time, recorded works by the young composer Alvin Vikman's five-movement piece The Japanese Seasons, Agneta Skold's Dar blaklinten slog en bro, and a bouquet of songs by composers active from the mid-1800s, Laura Netzell and Valborg Aulin.For over two hundred years, the interest in choral singing has inspired choral compositions of many different kinds. It has laid the foundation for the utilization of words and tones for the human voice, which has fostered cohesion, community, and musical innovation. Therefore, the compositions of Ludvig Norman, Jorgen Jersild, and Alvin Vikman show a continuity in humanity's need for words and tones to collaborate, regardless of the epoch, giving us n