Magma - Zuhn Wol Unsai-Live 1974 - COMPACT DISCS [CD]
Reviews coming soon
About this product
Whereever they perform - whether at the legendary hippie Burg Herzberg Festival or at the Leverkusener Jazztage in Germany at the end of the 90s, the Nancy Jazz Pulsations Festival in '76. Or the renowned Bell Atlantic Jazz Festival in New York- French cult ensemble MAGMA has always left their fans as well as the curious „uninitiatedInch stunned and in awe. Led by their drummer and Inchmaster of ceremoniesInch CHRISTIAN VANDER, the band has consistently poured their tonal magic potion, a substance brewed from 20th century classical music (Stravinsky, Orff, Bartok) and radical tendencies in 60s and 70s jazz and rock, over a spellbound audience for over 45 years. Despite their more jazzy leanings, MAGMA has always been able to attract a more rock-oriented, young audience from the very beginning. The latter due to VANDER'S fascination by the cathartic nature of rock music's optimistic spirit in the late 60s, similar to many of his famous jazz contemporaries including JOHN MCLAUGHLIN, CHICK COREA, and MILES DAVIS. As a result, he decided to orchestrate his up-to-one-hour-long suites with all the ingredients electric rock music had developed by the turn of the century. The on this CDs documented Live Performace is recorded at 'Magma's first concert in Germany on February 6th 1974. This official, professional and sonically improved Radio Bremen recording of this rather short-lived line-up contains a slightly shorter than usual version of MEKANÃK DESTRUKTÃẀ KOMMANDÃ-H, and with the remaining tracks SOWILOI, DRUM SOLO and THEUSZ HAMTAAHK represents an indispensable supplement to MAGMA's other live albums released on their own tag, SEVENTH RECORDS.
Specifications
- GenreRockDescriptionWhereever they perform - whether at the legendary hippie Burg Herzberg Festival or at the Leverkusener Jazztage in Germany at the end of the 90s, the Nancy Jazz Pulsations Festival in '76. Or the renowned Bell Atlantic Jazz Festival in New York- French cult ensemble MAGMA has always left their fans as well as the curious „uninitiatedInch stunned and in awe. Led by their drummer and Inchmaster of ceremoniesInch CHRISTIAN VANDER, the band has consistently poured their tonal magic potion, a substance brewed from 20th century classical music (Stravinsky, Orff, Bartok) and radical tendencies in 60s and 70s jazz and rock, over a spellbound audience for over 45 years. Despite their more jazzy leanings, MAGMA has always been able to attract a more rock-oriented, young audience from the very beginning. The latter due to VANDER'S fascination by the cathartic nature of rock music's optimistic spirit in the late 60s, similar to many of his famous jazz contemporaries including JOHN MCLAUGHLIN, CHICK COREA, and MILES DAVIS. As a result, he decided to orchestrate his up-to-one-hour-long suites with all the ingredients electric rock music had developed by the turn of the century. The on this CDs documented Live Performace is recorded at 'Magma's first concert in Germany on February 6th 1974. This official, professional and sonically improved Radio Bremen recording of this rather short-lived line-up contains a slightly shorter than usual version of MEKANÃK DESTRUKTÃẀ KOMMANDÃ-H, and with the remaining tracks SOWILOI, DRUM SOLO and THEUSZ HAMTAAHK represents an indispensable supplement to MAGMA's other live albums released on their own tag, SEVENTH RECORDS.ArtistMagmaTitleZuhn Wol Unsai-Live 1974FormatCDLabelMade in Germany Musi
Reviews
This product doesn't have any reviews yet.
Compare similar products
![Magma - Zuhn Wol Unsai-Live 1974 - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/c5c09dbc-7539-495a-b793-4a4f10109e9b.jpg;maxHeight=422;maxWidth=264?format=webp)
Whereever they perform - whether at the legendary hippie Burg Herzberg Festival or at the Leverkusener Jazztage in Germany at the end of the 90s, the Nancy Jazz Pulsations Festival in '76. Or the renowned Bell Atlantic Jazz Festival in New York- French cult ensemble MAGMA has always left their fans as well as the curious „uninitiatedInch stunned and in awe. Led by their drummer and Inchmaster of ceremoniesInch CHRISTIAN VANDER, the band has consistently poured their tonal magic potion, a substance brewed from 20th century classical music (Stravinsky, Orff, Bartok) and radical tendencies in 60s and 70s jazz and rock, over a spellbound audience for over 45 years. Despite their more jazzy leanings, MAGMA has always been able to attract a more rock-oriented, young audience from the very beginning. The latter due to VANDER'S fascination by the cathartic nature of rock music's optimistic spirit in the late 60s, similar to many of his famous jazz contemporaries including JOHN MCLAUGHLIN, CHICK COREA, and MILES DAVIS. As a result, he decided to orchestrate his up-to-one-hour-long suites with all the ingredients electric rock music had developed by the turn of the century. The on this CDs documented Live Performace is recorded at 'Magma's first concert in Germany on February 6th 1974. This official, professional and sonically improved Radio Bremen recording of this rather short-lived line-up contains a slightly shorter than usual version of MEKANÃK DESTRUKTÃẀ KOMMANDÃ-H, and with the remaining tracks SOWILOI, DRUM SOLO and THEUSZ HAMTAAHK represents an indispensable supplement to MAGMA's other live albums released on their own tag, SEVENTH RECORDS.
![Ultimate Painting - Green Lanes - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/9c721418-aad1-41c1-a64e-7f8649aab220.jpg;maxHeight=422;maxWidth=264?format=webp)
Ultimate Painting - Green Lanes [COMPACT DISCS] date 08/07/2015
![Witch 'N' Monk - Witch 'n' Monk - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/0583439f-a0eb-42fa-b4af-32001849b275.jpg;maxHeight=422;maxWidth=264?format=webp)
Blending Latin American flutes, electronics, complex vocal lines with a touch of Frank Zappa lyricism and a radical punk aesthetic, the duo of Heidi Heidelberg and Mauricio Velasierra crafts a dramatically bizarre vocal music from another dimension! Intertwining dark/light, feminine/masculine, composed/improvised and punk/romantic, dreamlike improvisations are sampled, manipulated and rein- vented through the lens of contemporary music and pop. You have never heard anything quite like Witch 'N' Monk!Escarbando * Coal Mine * Self * Pagan's Storm and the Sea Ballad * The Cage * The Gathering * Outchant * Gualchovan
![Gong - Live A Longlaville 27/10/1974 - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/d8c5b329-a916-4be0-965b-5feeb1e8dd23.jpg;maxHeight=422;maxWidth=264?format=webp)
Digipak. Two CD set. Formed in 1969 by Daevid Allen, one of the founding members of Soft Machine, classic albums such as Camembert Electrique, Flying Teapot and You established Gong as one of the most unique, innovative and experimental rock groups of the Seventies. Recorded in the middle of their most critically lauded Radio Gnome Invisible Trilogy era, Live at Longlaville Salle ElsaTriolet, 27. 10. 74 is a previously unreleased concert recently discovered in the archives. Despite 1974 being one of the most intensive years in the band's history, with over 150 gigs clocked up, relatively few live recordings from that time exist. We are fortunate to have unearthed such a good one. When it came to squirrelling away recordings for future enjoyment, enlightenment or even possible enrichment, Gong were not the Grateful Dead. The Gong touring entourage were part Lost Boys (with the odd lost girl) who didn't fit in anywhere else but in such a group that coalesced around their uniquely expressive music. They were adventuring psychedelic troubadour brigands out to rob you of your more fearful and staid sensibilities by the sheer bubbling force of their musical, theatrical, and exuberant communal presence, both on and off stage. As you fell within the gravitational pull of the Green Planet Gong not only was anything possible, it was positively desirable. If the band's first major public appearance was at the Amougies Festival in 1969, then the Longlaville date marked the band's 5th birthday. By October 1974, just Daevid and Didier Malherbe remained on-stage from that first gig. With Steve Hillage spiralling ever upwards, and Tim Blake venturing further out there, thanks to the intense series of concerts leading up to Longlaville, Laurie fully reclaimed the Gong drum stool, and the gigs were joyous. Such a whirling band of extravagantly-attired and expansively-minded folk natur
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.