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Mahler / Hughes / Minnesota Orchestra - Symphony 2 - SUPER-AUDIO CD [Super Audio CD (SACD)]

SKU: 10675182

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Gustav Mahler's Second Symphony started life as a single-movement tone poem called Todtenfeier ('Funeral Rites'). Completed in 1888 - one year before Richard Strauss's Death and Transfiguration - it echoed the composer's vision of seeing himself lying dead in a funeral bier surrounded by flowers. Deciding to use it as his opening movement, Mahler didn't finish the complete five-movement symphony until more than six years later, the longest time he spent on any work. The huge scale of the work apart, it's weighty subject matter may well have contributed to the slow progress Mahler himself outlined a scenario making references to the ultimate meaning of life and death (first movement), recollections of lost innocence and the desperation of unbelief (second and third movements), the return to naïve faith (fourth movement) and final redemption from the last judgement (finale). To convey this he took recourse to the human voice incorporating a solo alto in the 4th movement Urlicht, he went on in the finale to risk comparison with Beethoven's Ninth Symphony by introducing a choir, as well as a soprano and alto soloist. Minnesota Orchestra and Osmo Vänskä have received praise for their previous Mahler recordings ('Vänskä and the orchestra are among the finest exponents of Mahler's music... ', allmusic. Com). The team is here joined by soloists Ruby Hughes and Sasha Cooke and the Minnesota Chorale in the deeply moving close to the vast and tumultuous panorama that is his Second Symphony.

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  • Genre
    Classical
    Description
    Gustav Mahler's Second Symphony started life as a single-movement tone poem called Todtenfeier ('Funeral Rites'). Completed in 1888 - one year before Richard Strauss's Death and Transfiguration - it echoed the composer's vision of seeing himself lying dead in a funeral bier surrounded by flowers. Deciding to use it as his opening movement, Mahler didn't finish the complete five-movement symphony until more than six years later, the longest time he spent on any work. The huge scale of the work apart, it's weighty subject matter may well have contributed to the slow progress Mahler himself outlined a scenario making references to the ultimate meaning of life and death (first movement), recollections of lost innocence and the desperation of unbelief (second and third movements), the return to naïve faith (fourth movement) and final redemption from the last judgement (finale). To convey this he took recourse to the human voice incorporating a solo alto in the 4th movement Urlicht, he went on in the finale to risk comparison with Beethoven's Ninth Symphony by introducing a choir, as well as a soprano and alto soloist. Minnesota Orchestra and Osmo Vänskä have received praise for their previous Mahler recordings ('Vänskä and the orchestra are among the finest exponents of Mahler's music... ', allmusic. Com). The team is here joined by soloists Ruby Hughes and Sasha Cooke and the Minnesota Chorale in the deeply moving close to the vast and tumultuous panorama that is his Second Symphony.
    Artist
    MAHLER / HUGHES / MINNESOTA ORCHESTRA
    Title
    Symphony 2
    Format
    Super Audio CD (SACD)
    Label
    Bis
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Mahler / Hughes / Minnesota Orchestra - Symphony 2   - SUPER-AUDIO CD [Super Audio CD (SACD)]
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Gustav Mahler's Second Symphony started life as a single-movement tone poem called Todtenfeier ('Funeral Rites'). Completed in 1888 - one year before Richard Strauss's Death and Transfiguration - it echoed the composer's vision of seeing himself lying dead in a funeral bier surrounded by flowers. Deciding to use it as his opening movement, Mahler didn't finish the complete five-movement symphony until more than six years later, the longest time he spent on any work. The huge scale of the work apart, it's weighty subject matter may well have contributed to the slow progress Mahler himself outlined a scenario making references to the ultimate meaning of life and death (first movement), recollections of lost innocence and the desperation of unbelief (second and third movements), the return to naïve faith (fourth movement) and final redemption from the last judgement (finale). To convey this he took recourse to the human voice incorporating a solo alto in the 4th movement Urlicht, he went on in the finale to risk comparison with Beethoven's Ninth Symphony by introducing a choir, as well as a soprano and alto soloist. Minnesota Orchestra and Osmo Vänskä have received praise for their previous Mahler recordings ('Vänskä and the orchestra are among the finest exponents of Mahler's music... ', allmusic. Com). The team is here joined by soloists Ruby Hughes and Sasha Cooke and the Minnesota Chorale in the deeply moving close to the vast and tumultuous panorama that is his Second Symphony.

Various Artists - Cracow Wind Quintet & Friends    - COMPACT DISCS [CD]

They have performed at almost all prestigious music festivals in Poland, meeting with an enthusiastic reception of the audience and critical acclaim. Each of them is a laureate of a number of music competitions. They met while working with the Krakow chamber orchestra Capella Cracoviensis. They have many chamber concerts with a varied repertoire, from baroque to contemporary music. The present is a review of the ambitious modern repertoire of the ensemble Cracow Wind Quintet, where classical positions coexist well with Polish chamber music, often- as in the case of Burleski by Mikolaj Gorecki or the Pawel Lukaszewski quartet- dedicated to the musicians participating in this recording.

Mahler / Minnesota Orchestra - Symphony 6   - SUPER-AUDIO CD [Super Audio CD (SACD)]

Albert Camus once wrote 'when I describe what the catastrophe of modern man looks like, music comes into my mind - the music of Gustav Mahler'. If asked to specify a particular work, it is quite possible that Camus would have proposed Symphony No. 6 in A minor - the symphony that Bruno Walter claimed portrayed 'a terrifying, hopeless darkness, without a human sound'. Nevertheless, the period during which Mahler wrote his Sixth was one of the most successful and happiest of his life - prior to any marital difficulties, at the time of the birth of his second daughter Anna, his professional reputation growing. Alma Mahler, in her memoirs, suggested that the symphony was in fact predicting instances of future distress in the composer's own life, and she and various commentators have proposed various interpretations of different elements. Most famous of these are possibly the hammer strokes in the Finale, falling, according to Alma, like 'blows of fate' on the 'hero' of the symphony. But Osmo Vänskä has a reputation for engaging with even the most iconic scores at face value, avoiding preconceived ideas and 'time-honored' traditions. His and the Minnesota Orchestra's recording of Mahler's Sixth follows upon the 2017 of the composer's Fifth Symphony. Nominated to a 2018 Grammy Award, that interpretation has been described as 'at once committed and detached, intense and transcendentally timeless' (Norman Lebrecht) and 'an exceptional performance that promises great things to come' (allmusic. Com).

G. Mahler - Symphony No 2   - SUPER-AUDIO CD [Super Audio CD (SACD)]

G. Mahler - Symphony No 2 [SUPER-AUDIO CD] Hybrid SACD date 10/30/2007

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