Mahler / Utah Symphony / Fischer - Symphony No. 1 Titan - SUPER-AUDIO CD [Super Audio CD (SACD)]
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The Utah Symphony, celebrating it's 75th anniversary in the 2015-16 season, is one of America's major symphony orchestras and a leading cultural organization in the Intermountain West, recognized internationally for it's distinctive performances, commitment to music education, and recording legacy. This newly recorded performance of Mahler's Symphony No. 1 is the first documenting the orchestra's new two-year Mahler Symphony Cycle under Music Director Thierry Fischer. Founded in 1940, the Utah Symphony's legendary Music Director from 1947-79, Maurice Abravanel, led the orchestra in it's first ever Mahler performance (Symphony No. 4) in 1951. His pioneering cycle of Mahler Symphonies, the first to be completed by an American orchestra, was recorded between 1963-74 and included the first commercial stereo recordings of the Seventh and Eighth Symphonies. Thierry Fischer, Music Director of the Utah Symphony since 2009, has revitalized the orchestra with creative programming and critically acclaimed performances that have drawn consistently full houses. Mr. Fischer has also initiated a major commissioning program that has produced new works by Simon Holt, Michael Jarrell, Nico Muhly, Andrew Norman, and Augusta Read Thomas.
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- GenreClassicalDescriptionThe Utah Symphony, celebrating it's 75th anniversary in the 2015-16 season, is one of America's major symphony orchestras and a leading cultural organization in the Intermountain West, recognized internationally for it's distinctive performances, commitment to music education, and recording legacy. This newly recorded performance of Mahler's Symphony No. 1 is the first documenting the orchestra's new two-year Mahler Symphony Cycle under Music Director Thierry Fischer. Founded in 1940, the Utah Symphony's legendary Music Director from 1947-79, Maurice Abravanel, led the orchestra in it's first ever Mahler performance (Symphony No. 4) in 1951. His pioneering cycle of Mahler Symphonies, the first to be completed by an American orchestra, was recorded between 1963-74 and included the first commercial stereo recordings of the Seventh and Eighth Symphonies. Thierry Fischer, Music Director of the Utah Symphony since 2009, has revitalized the orchestra with creative programming and critically acclaimed performances that have drawn consistently full houses. Mr. Fischer has also initiated a major commissioning program that has produced new works by Simon Holt, Michael Jarrell, Nico Muhly, Andrew Norman, and Augusta Read Thomas.ArtistMAHLER / UTAH SYMPHONY / FISCHERTitleSymphony No. 1 TitanFormatSuper Audio CD (SACD)LabelReference Recordings
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The Utah Symphony, celebrating it's 75th anniversary in the 2015-16 season, is one of America's major symphony orchestras and a leading cultural organization in the Intermountain West, recognized internationally for it's distinctive performances, commitment to music education, and recording legacy. This newly recorded performance of Mahler's Symphony No. 1 is the first documenting the orchestra's new two-year Mahler Symphony Cycle under Music Director Thierry Fischer. Founded in 1940, the Utah Symphony's legendary Music Director from 1947-79, Maurice Abravanel, led the orchestra in it's first ever Mahler performance (Symphony No. 4) in 1951. His pioneering cycle of Mahler Symphonies, the first to be completed by an American orchestra, was recorded between 1963-74 and included the first commercial stereo recordings of the Seventh and Eighth Symphonies. Thierry Fischer, Music Director of the Utah Symphony since 2009, has revitalized the orchestra with creative programming and critically acclaimed performances that have drawn consistently full houses. Mr. Fischer has also initiated a major commissioning program that has produced new works by Simon Holt, Michael Jarrell, Nico Muhly, Andrew Norman, and Augusta Read Thomas.

Bella Brown & the Jealous Lovers Unveil 'Soul Clap' LP A Fusion of Retro Soul/Funk and Modern GroovesLos Angeles-based retro soul/funk sensation Bella Brown & the Jealous Lovers are set to ignite the music scene with their highly anticipated LP, 'Soul Clap.' Born from the creative genius of Grammy Award-winning vocalist/songwriter Carol Hatchett, Bella Brown emerges as a diva with a fiery stage presence, drawing inspiration from the likes of Tina Turner and Sharon Jones, and channeling the empowered female leads of 70s Blaxploitation films. Led by producer/bassist/songwriter Daniel Pearson, The Jealous Lovers assemble an impressive ensemble of A-list musicians, boasting pedigrees that include names like Mick Jagger, Elton John, Whitney Houston, Prince, and Stevie Wonder. This musical collective is on a relentless quest to redefine the boundaries of music, infusing soul and funk with elements of jazz, rock, and Afro-Caribbean influences.The essence of 'Soul Clap' is derived from the cultural phenomena it is named after-a shared and improvised rhythm-making by a collective. The LP, spanning 40 minutes of pure musical bliss, invites the audience to immerse themselves in the groove and discover their individual truths in the music.The title track, 'Soul Clap,' and the infectious 'Living Proof' serve as funky dance bangers, echoing the spirit of Bohannan and The Tramps. These tracks, punctuated with jazzy improvisations and soulful horn arrangements, are simple yet joyful expressions of shared humanity and self-love.'Coming For You' is Bella's audacious response to the soul/funk classic Apache, boldly announcing her and The Jealous Lovers' arrival on the modern soul landscape. 'I Found You' takes a northern soul love song approach, reminiscent of Gloria Jones with a touch of modern influence, giving it a distinct Amy Winehouse feel.Bella Brown seamlessly weaves social com
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This new is the third installment in the successful ongoing Mahler cycle by Adam Fischer and the Duesseldorfer Symphoniker. Adam Fischer writes in his booklet notes InchI am delighted to perform and record the complete symphonies of Gustav Mahler with the Dusseldorfer Symphoniker. The result, we hope, should be something special a rendition that stems from an active collaboration in which we mutually inspire one another. This should not be InchmyInch Mahler, but InchourInch Mahler... Gustav Mahler premiered his First Symphony at the age of 29. For personal reasons I feel a close bond with that 29-year-old Musical Director of the Hungarian State Opera. 120 years later, I was named General Music Director of the same opera house. We both hastily abandoned the institution after 2 ½ years. I would still like to relate a personal reminiscence of one of the performances of InchmyInch First Symphony. The First Symphony was the first occasion I ever heard music by Mahler live on stage in Vienna when I was nineteen years old, and the experience marked me for life.Inch
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