Maria Ivogun - Operatic Arias - COMPACT DISCS [CD]

Album Tracks 1. Ah! Non Giunge 2. Regnava Nel Silenzio 3. Ardon Gl'incensi (Mad Scene) 4. Dunque Io Son 5. Qui la Voce... Vien Diletto 6. Deh Vieni, Non Tardar 7. Hymne Au Soleil 8. Ou Va la Jeune Hindoue (Bell Song) 9. O Legere Hirondelle (Waltz) 10. Ombra Leggiera 11. Un Di Felice 12. E Il Sol Del 'Anima 13. Caro Nome 14. Tutte Le Feste Al Tempio... Piangi, Piangi 15. Si Vendetta 16. Bella Figlia Dell' Amor (Quartet) 17. Theme and Variations 18. Voci Di Primavera

Eide Norena - Operatic Arias [COMPACT DISCS] date 12/02/1992

2016 three CD collection that features beloved arias from Bellini's InchNorma;Inch Puccini's InchLa Bohéme,Inch InchMadame ButterflyInch and InchGianno Schicchi;Inch Verdi's InchLa TraviataInch and InchAida;Inch Bizet's InchCarmenInch and much more! Opera singers come and go, but just a few - the legends - live on. And Maria Callas was the great-est legend of them all, though not just for the wonder of her voice. She changed the way people thought about opera, but she also became famous as the glamorous celebrity who fell in love with Aristotle Onassis, leaving her elderly husband to live with him on his yacht Christina and enjoy the high life with the international jet set. Of course it ended badly. She lived her life like one of her own tragic heroines who (as women tend to do in opera) sing, suffer and die. And her own death came at just 53, after a dazzling but short career that took in heavy roles alongside decorative, nightingale-like ones - ignoring the established rules of vocal health and probably explaining why her voice finally gave out as it did. But in that time she did extraordinary things, using the muscle of those heavy heroines to em-power the nightingales with strength and depth of feeling nobody had thought to offer them be-fore. She gave them credibility as drama. Her performances were absolute and self-exposing she held nothing back. And she was even tougher on herself than she could be on others - which is why her voice was never quite the flawless instrument singers are meant to cultivate. Her personality was far too volatile and too self-sacrificing in it's love affair with risk. In the mythology of opera, though, that's what the audience demands. We want the diva to be both a goddess and a slave to give her life for art. We thrill to the dimension of that sacrifice. And Callas dutifully obliged. Album Tracks 1. 0Tullio Serafin InchNorm