Marie Lys - Handel: Inexorable amour - Cantates virtuoses - COMPACT DISCS [CD]
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Under Italian skies, the young Handel chiselled the human soul into music, providing Roman palaces with secular cantatas of incandescent virtuosity. This theatre of passions explores the thousand faces of love from the torments of the dizzying Il delirio amoroso, to the lightness of Sans y penser, through to the chains of Un'alma innamorata and the lamentations of Crudel tiranno amor.Soprano Marie Lys lends her exquisite voice to the heroines of the Inchdear SaxonInch. Under the baton of Gaétan Jarry, the Orchestre de l'Opéra Royal revives this baroque ardour with supreme elegance.
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- GenreClassicalDescriptionUnder Italian skies, the young Handel chiselled the human soul into music, providing Roman palaces with secular cantatas of incandescent virtuosity. This theatre of passions explores the thousand faces of love from the torments of the dizzying Il delirio amoroso, to the lightness of Sans y penser, through to the chains of Un'alma innamorata and the lamentations of Crudel tiranno amor.Soprano Marie Lys lends her exquisite voice to the heroines of the Inchdear SaxonInch. Under the baton of Gaétan Jarry, the Orchestre de l'Opéra Royal revives this baroque ardour with supreme elegance.ArtistMarie LysTitleHandel: Inexorable amour - Cantates virtuosesFormatCDLabelChateau Versailles
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The young Swiss soprano Marie Lys was pleasantly surprised to discover that many of the roles she has sung in George Frideric Handel's works in recent years were written for the spectacularly virtuoso soprano Anna Maria Strada, Handel's prima donna in 1730s London. Accompanied by the Abchordis Ensemble and Andrea Buccarella, the group's conductor and harpsichordist, Marie Lys decided to dedicate her first solo album on Glossa to InchLa StradinaInch, with an in-depth study of Anna Maria's life on stage and the extraordinary vocal skills her roles demanded. Marie Lys has selected a repertoire that traces the career of this unique soprano in a representative way The musical journey begins in Venice with Vivaldi's InchLa verità in cimentoInch from 1720, leads via Naples with arias from operas by Domenico Sarro, Leonardo Leo and Leonardo Vinci to London with three arias from Handel's operas Lotario, Alcina and Arminio. After a successful decade in London, she returned to the Italian stages in 1738, where she rounded off her career with performances in Naples and Turin in operas by Ristori, Porpora and Galuppi. New roles and operatic music thought lost come to light on this recording. A fine example is the music from Popora's Tiridate, from which this album takes it's title InchAmate StelleInch.

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