For four decades, Marie Podvalová (1909-1992) was one of the most popular and sought-after opera singers of the National Theatre in Prague, where she was engaged from 1937 to 1978. She dazzled in the part of Bedrich Smetana's Libuše, which she created in 1938 under the guidance of the conductor Václav Talich, as well as in the roles of Milada in Dalibor and Anežka in Two Widows. She also appeared in Dvorák operas, performing to acclaim Armida, the Foreign Princess in Rusalka and Julie in The Jacobin, and in Janácek works, primarily excelling as Kostelnicka in Jenufa. Supraphon is for the first time releasing the complete studio recordings Marie Podvalová made between 1939 and 1950. The set encompasses three songs from the collection Venec ze zpevu vlasteneckých (A Garland of Patriotic Songs, 1835-1844), which she performs accompanied on the piano by J. B. Foerster. It contains Marie Podvalová's final, previously unreleased, studio recording, with the soprano singing Beatrice in a scene from Zdenek Fibich's opera The Bride of Messina. The album also captures the voices of Jan Konstantin, Jindrich Blažícek, Marta Krásová, Ivo Žídek, Jaroslav Gleich, Zdenek Otava, Štepánka Jelínková, Jaroslav Jaroš, Josef Otakar Masák, Maria Tauberová, Ludek Mandaus, Stanislav Muž, and other singers. The Prague Symphony Orchestra and the National Theatre Orchestra are conducted by Rudolf Vašata, Zdenek Chalabala, Jaroslav Krombholc, František Škvor, Zdenek Folprecht, Otakar Jeremiáš and Karel Nedbal. The marks the 30th anniversary of the legendary artist's death.
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For four decades, Marie Podvalová (1909-1992) was one of the most popular and sought-after opera singers of the National Theatre in Prague, where she was engaged from 1937 to 1978. She dazzled in the part of Bedrich Smetana's Libuše, which she created in 1938 under the guidance of the conductor Václav Talich, as well as in the roles of Milada in Dalibor and Anežka in Two Widows. She also appeared in Dvorák operas, performing to acclaim Armida, the Foreign Princess in Rusalka and Julie in The Jacobin, and in Janácek works, primarily excelling as Kostelnicka in Jenufa. Supraphon is for the first time releasing the complete studio recordings Marie Podvalová made between 1939 and 1950. The set encompasses three songs from the collection Venec ze zpevu vlasteneckých (A Garland of Patriotic Songs, 1835-1844), which she performs accompanied on the piano by J. B. Foerster. It contains Marie Podvalová's final, previously unreleased, studio recording, with the soprano singing Beatrice in a scene from Zdenek Fibich's opera The Bride of Messina. The album also captures the voices of Jan Konstantin, Jindrich Blažícek, Marta Krásová, Ivo Žídek, Jaroslav Gleich, Zdenek Otava, Štepánka Jelínková, Jaroslav Jaroš, Josef Otakar Masák, Maria Tauberová, Ludek Mandaus, Stanislav Muž, and other singers. The Prague Symphony Orchestra and the National Theatre Orchestra are conducted by Rudolf Vašata, Zdenek Chalabala, Jaroslav Krombholc, František Škvor, Zdenek Folprecht, Otakar Jeremiáš and Karel Nedbal. The marks the 30th anniversary of the legendary artist's death.

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

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