Mario Pilati - Suite Per Pianoforte E Archi & Bagatelle Per - COMPACT DISCS [CD]

The 20th century, the century of totalitarianism, has undoubtedly been marked by the horror of mass, industrialized crime. The world of music, like any other, could not have been oblivious to the ominous events brought by, as Karl Popper would say, the enemies of open society. Accordingly, we find a wide range of attitudes, from musicians of unwavering affinity towards totalitarian regimes, to those who were ousted, or in the worst of cases, even murdered by their compatriots in power. None of the three composers present on this album are at any of the extremes mentioned, but their respective biographies were indelibly marked by Soviet repression or National Socialism, or at worst by both. Beyond these historical circumstances, the great success of Mario Prisuelos in making this programme has been to detect how the three works he has chosen for his recording, written in a time interval of approximately a quarter of a century, are exemplary in terms of reflecting certain aesthetic changes of his time.

Mario Martinoli - Complete Piano Music [COMPACT DISCS] date 08/09/2005

The Resonare Fibris project arises from the need to confront times, that is, to put them in dialogue and submit them to a game of mirrors. Superposition and mixture, contraposition, dissolution, decontextualization, deconstruction... ways of proposing an approach to music that goes beyond proposing a merely contemplative listening to become a challenge that of achieving an active listening. The meeting and dialogue with the pianist Mario Prisuelos, the poet Pilar Martín Gila and myself, gave shape to a proposal where music and poetry share a common point the reinterpretation of a past time, that of the Spanish Renaissance. This dialogue between the ancient and the present stems from essential voices among others, Tomás Luis de Victoria, Francisco Guerrero, Cristóbal de Morales or Sebastián de Vivanco. The work is written for piano and electronics, where the latter is conceived as a spatial extension of the instrument.