Mark Molnar has been a linchpin of the Ottawa experimental music scene for over two decades,spanning contemporary classical, electroacoustic, industrial/noise, and improv. As a string playerin a wide range of projects, an organizer and curator of innumerable shows, and via his own avantgarde tag Black Bough Records, Molnar's unflagging contributions to independent music culturein Canada's capital city have been significant. EXO is his Constellation debut a remarkable andbracing suite of post-classical composition on which Molnar plays every instrument. Meticulouslyself-recorded, primarily with strings, harp, and piano, EXO balances thematic melodicism,polytonality, and dissonance across three elegiac pieces of exquisitely expressive dynamism. Thisis exacting modern chamber music that blends formal and harmonic complexity with a solemnemotive sensibility accessible to a broad audience. Listeners that yearn for some edge anddisquietude in a landscape of often all-too-approachable post-classical music should find EXOeminently worth their time and attention.While Molnar is a highly trained string player, and studied music under Aubrey Wolfe, microtonalitywith James Tenney, and composition with R. Murray Schafer, his trajectory has been entirely andintentionally outside the academy, signalling a socio-artistic commitment to DIY culture, forgedfrom an early passion for the sonic worlds of post-hardcore, post-punk, no-wave, free improv, powerelectronics, and other independent/underground musics. His classically-informed works have beendescribed as Inchtense currents of musical modernism invigorated with punk's raw vitality.Inch EXO carriesan undercurrent influenced by dark industrial and ambient metal in particular, with microphonespurposely placed to pick up the low-end frequencies of the piano body, and of a bass drumpositioned as a resonant skin in the acoustic space; an
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Mark Molnar has been a linchpin of the Ottawa experimental music scene for over two decades,spanning contemporary classical, electroacoustic, industrial/noise, and improv. As a string playerin a wide range of projects, an organizer and curator of innumerable shows, and via his own avantgarde tag Black Bough Records, Molnar's unflagging contributions to independent music culturein Canada's capital city have been significant. EXO is his Constellation debut a remarkable andbracing suite of post-classical composition on which Molnar plays every instrument. Meticulouslyself-recorded, primarily with strings, harp, and piano, EXO balances thematic melodicism,polytonality, and dissonance across three elegiac pieces of exquisitely expressive dynamism. Thisis exacting modern chamber music that blends formal and harmonic complexity with a solemnemotive sensibility accessible to a broad audience. Listeners that yearn for some edge anddisquietude in a landscape of often all-too-approachable post-classical music should find EXOeminently worth their time and attention.While Molnar is a highly trained string player, and studied music under Aubrey Wolfe, microtonalitywith James Tenney, and composition with R. Murray Schafer, his trajectory has been entirely andintentionally outside the academy, signalling a socio-artistic commitment to DIY culture, forgedfrom an early passion for the sonic worlds of post-hardcore, post-punk, no-wave, free improv, powerelectronics, and other independent/underground musics. His classically-informed works have beendescribed as Inchtense currents of musical modernism invigorated with punk's raw vitality.Inch EXO carriesan undercurrent influenced by dark industrial and ambient metal in particular, with microphonespurposely placed to pick up the low-end frequencies of the piano body, and of a bass drumpositioned as a resonant skin in the acoustic space; an

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Special edition 40th anniversary 180-gram vinyl LP. 2014 import reissue. Take a chance on ABBA's greatest hits on vinyl. Knowing me knowing you, you won't be disappointed. Each hit is certified gold and is as catchy as pop music can get. This limited edition double album is pressed on 180-gram audiophile vinyl. Celebrating 40 years since their break-through hit in 1974, ABBA sounds just as good as ever back on an actual record. Hits include InchDancing Queen,Inch InchFernando,Inch InchWaterloo,Inch InchTake A Chance On MeInch, InchThank You For The MusicInch and many others. The album also includes a voucher to download an MP3 version of the album, which will take their music into the 21st century! Album Tracks 1. Dancing Queen 2. Knowing Me, Knowing You 3. Take a Chance on Me 4. Mamma Mia 5. Lay All Your Love on Me 6. Super Trouper 7. I Have a Dream 8. The Winner Takes It All 9. Money, Money, Money 10. S.O.S 11. Chiquitita 12. Fernando 13. Voulez-Vous 14. Gimme! Gimme! Gimme! (A Man After Midnight) 15. Does Your Mother Know 16. One of Us 17. The Name of the Game 18. Thank You for the Music 19. Waterloo

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain
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