Markiyan Melnychenko - Postcards from Ukraine, Vol. 3 – Folk Dialogues - COMPACT DISCS [CD]
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The first album of Postcards from Ukraine gave a potted history of Ukrainian music in the form of a series of miniatures for piano and violin, and the second presented four outstanding chamber works by important Ukrainian composers. This third instalment brings six new arrangements of Ukrainian folksongs, for violin and piano, by Markiyan Melnychenko, integrating them into a programme of folksong- and dance arrangements by some of his best-known virtuoso predecessors.
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- GenreClassicalDescriptionThe first album of Postcards from Ukraine gave a potted history of Ukrainian music in the form of a series of miniatures for piano and violin, and the second presented four outstanding chamber works by important Ukrainian composers. This third instalment brings six new arrangements of Ukrainian folksongs, for violin and piano, by Markiyan Melnychenko, integrating them into a programme of folksong- and dance arrangements by some of his best-known virtuoso predecessors.ArtistMarkiyan MelnychenkoTitlePostcards from Ukraine, Vol. 3 – Folk DialoguesFormatCDLabelToccata Next
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The first album of Postcards from Ukraine gave a potted history of Ukrainian music in the form of a series of miniatures for piano and violin, and the second presented four outstanding chamber works by important Ukrainian composers. This third instalment brings six new arrangements of Ukrainian folksongs, for violin and piano, by Markiyan Melnychenko, integrating them into a programme of folksong- and dance arrangements by some of his best-known virtuoso predecessors.
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The first album of Postcards from Ukraine gave a potted history of Ukrainian music in the form of a series of miniatures for piano and violin. In this second instalment four representative chamber works demonstrate how quickly Ukrainian music developed a proud and independent tradition - although all four composers here were bullied by the authoritarian regime to the north. One of them, Vasil Barvinsky, even spent ten years in the Gulag, during which time the Soviets destroyed his manuscripts. Upon his , unbowed, he set about reconstructing those lost scores, though he died before he could complete the task. His glorious A minor Piano Trio gives an indication of what was nearly lost - and how much remains to be discovered.

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Ukrainian classical music is not even two centuries old, and for most of that time has had to contend with active attempts at suppression by a bullying neighbour. But Ukrainian composers have stood their ground, not least by taking inspiration from the folk-music that has long thrived in Ukraine's mountains and fields. In this first of a series of Postcards from Ukraine the Ukrainian-Australian violinist Markiyan Melnychenko presents a programme of largely unknown miniatures for violin and piano, all based on, or inspired by, that folk-culture. Alternately sparkling and soulful, these violin showpieces make the case for a more thorough examination of the riches still to be discovered in Ukraine's musical heritage.
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