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Matija Strnisa - House of Hummingbird (Beolsae) (Original Soundtrack) - VINYL LP

SKU: 10588479

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Seoul 1994, in the year the Seongsu Bridge collapsed, 14-year-old Eun-hee wanders the city searching for love. The score to House of Hummingbird is getting a vinyl LP for the first time following a digital in Korea. Originally from Slovenia, composer Matija Strniša studied music and clarinet at the Academy of Music in Ljubljana. After moving to Germany, he studied composition at The Konrad Wolf Film University of Babelsberg. He has worked on feature films, documentaries, theater, art installation and radio plays - encompassing everything from electronic to orchestral music. In describing his work, he says he is Inchtrying to bring together acoustic and electronic elements and interweave them into one cohesive musical world.Inch Regarding his scores, Strniša explains that his compositions strive to reflect basic human emotions, irrespective of people's backgrounds. The film's protagonist Eun-hee's isolation and sense of despair, as well as some excitement and gratefulness - all end up in the music. The final result is an interplay of contradicting emotions while discovering the point of balance between all the emotions. Months of Skype meetings with director Kim Bora went into the film's final score, which followed an ironical path of 'traditional and old future'.

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  • Genre
    Score/Soundtrack
    Description
    Seoul 1994, in the year the Seongsu Bridge collapsed, 14-year-old Eun-hee wanders the city searching for love. The score to House of Hummingbird is getting a vinyl LP for the first time following a digital in Korea. Originally from Slovenia, composer Matija Strniša studied music and clarinet at the Academy of Music in Ljubljana. After moving to Germany, he studied composition at The Konrad Wolf Film University of Babelsberg. He has worked on feature films, documentaries, theater, art installation and radio plays - encompassing everything from electronic to orchestral music. In describing his work, he says he is Inchtrying to bring together acoustic and electronic elements and interweave them into one cohesive musical world.Inch Regarding his scores, Strniša explains that his compositions strive to reflect basic human emotions, irrespective of people's backgrounds. The film's protagonist Eun-hee's isolation and sense of despair, as well as some excitement and gratefulness - all end up in the music. The final result is an interplay of contradicting emotions while discovering the point of balance between all the emotions. Months of Skype meetings with director Kim Bora went into the film's final score, which followed an ironical path of 'traditional and old future'.
    Artist
    Matija Strnisa
    Title
    House of Hummingbird (Beolsae) (Original Soundtrack)
    Format
    VINYL
    Label
    Plain Archive
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Matija Strnisa - House of Hummingbird (Beolsae) (Original Soundtrack)   - VINYL LP
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Seoul 1994, in the year the Seongsu Bridge collapsed, 14-year-old Eun-hee wanders the city searching for love. The score to House of Hummingbird is getting a vinyl LP for the first time following a digital in Korea. Originally from Slovenia, composer Matija Strniša studied music and clarinet at the Academy of Music in Ljubljana. After moving to Germany, he studied composition at The Konrad Wolf Film University of Babelsberg. He has worked on feature films, documentaries, theater, art installation and radio plays - encompassing everything from electronic to orchestral music. In describing his work, he says he is Inchtrying to bring together acoustic and electronic elements and interweave them into one cohesive musical world.Inch Regarding his scores, Strniša explains that his compositions strive to reflect basic human emotions, irrespective of people's backgrounds. The film's protagonist Eun-hee's isolation and sense of despair, as well as some excitement and gratefulness - all end up in the music. The final result is an interplay of contradicting emotions while discovering the point of balance between all the emotions. Months of Skype meetings with director Kim Bora went into the film's final score, which followed an ironical path of 'traditional and old future'.

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