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Mauro Tortorelli - Complete Music for Violin & Piano - COMPACT DISCS [CD]

SKU: 10617658

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Alfredo d'Ambrosio (1871-1914) was born in Naples and perhaps became a student of Marco Enrico Bossi, but he made his career around the turn of the last century once he moved to France. As the composer of small- and large-scale works for the violin that were premiered and performed by virtuoso soloists of the day, published internationally and appealing in different forms to both amateur and professional musicians, D'Ambrosio enjoyed a measure of fame that seems rapidly to have waned after his death, at the early age of 43. The present album has the field to itself (for now) in attempting a complementary survey of D'Ambrosio's work as a salon musician. D'Ambrosio wrote a violin concerto, premiered in Berlin, and an opera, first heard in Nice in 1903, but his slender claim to fame rests on the album leaves recorded here, in which he records his friendship and esteem for distinguished colleagues. Aside from his Decourcelle and his daughter Suzanne, D'Ambrosio pays tribute to the friendship of fellow violinists such as August Wilhelmj, Jacques Thibaud and Jan Kubelík. Then there is a trio of fellow violinist-composers, the best known of whom is Vittorio Monti (author of the Csardas which remains popular encore fare). There are elegies, canzonettas, ariettas, serenatas and romanzas, most of them just a minute or two in length, all written to be enjoyed equally by the musicians, the dedicatee and by their audience. They are revived here with native flair by the Gran Duo Italiano, who have made a series of acclaimed albums for Brilliant Classics, including the sonatas of Saint-Saens (94848) and the music of other lesser-known late-Romantic Italian contemporaries such as Santoliquido (96589) and Scalero (96160).

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  • Genre
    Classical
    Description
    Alfredo d'Ambrosio (1871-1914) was born in Naples and perhaps became a student of Marco Enrico Bossi, but he made his career around the turn of the last century once he moved to France. As the composer of small- and large-scale works for the violin that were premiered and performed by virtuoso soloists of the day, published internationally and appealing in different forms to both amateur and professional musicians, D'Ambrosio enjoyed a measure of fame that seems rapidly to have waned after his death, at the early age of 43. The present album has the field to itself (for now) in attempting a complementary survey of D'Ambrosio's work as a salon musician. D'Ambrosio wrote a violin concerto, premiered in Berlin, and an opera, first heard in Nice in 1903, but his slender claim to fame rests on the album leaves recorded here, in which he records his friendship and esteem for distinguished colleagues. Aside from his Decourcelle and his daughter Suzanne, D'Ambrosio pays tribute to the friendship of fellow violinists such as August Wilhelmj, Jacques Thibaud and Jan Kubelík. Then there is a trio of fellow violinist-composers, the best known of whom is Vittorio Monti (author of the Csardas which remains popular encore fare). There are elegies, canzonettas, ariettas, serenatas and romanzas, most of them just a minute or two in length, all written to be enjoyed equally by the musicians, the dedicatee and by their audience. They are revived here with native flair by the Gran Duo Italiano, who have made a series of acclaimed albums for Brilliant Classics, including the sonatas of Saint-Saens (94848) and the music of other lesser-known late-Romantic Italian contemporaries such as Santoliquido (96589) and Scalero (96160).
    Artist
    Mauro Tortorelli
    Title
    Complete Music for Violin & Piano
    Format
    CD
    Label
    Brilliant Classics
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Mauro Tortorelli - Complete Music for Violin & Piano   - COMPACT DISCS [CD]
Mauro Tortorelli - Complete Music for Violin & Piano - COMPACT DISCS [CD]

Alfredo d'Ambrosio (1871-1914) was born in Naples and perhaps became a student of Marco Enrico Bossi, but he made his career around the turn of the last century once he moved to France. As the composer of small- and large-scale works for the violin that were premiered and performed by virtuoso soloists of the day, published internationally and appealing in different forms to both amateur and professional musicians, D'Ambrosio enjoyed a measure of fame that seems rapidly to have waned after his death, at the early age of 43. The present album has the field to itself (for now) in attempting a complementary survey of D'Ambrosio's work as a salon musician. D'Ambrosio wrote a violin concerto, premiered in Berlin, and an opera, first heard in Nice in 1903, but his slender claim to fame rests on the album leaves recorded here, in which he records his friendship and esteem for distinguished colleagues. Aside from his Decourcelle and his daughter Suzanne, D'Ambrosio pays tribute to the friendship of fellow violinists such as August Wilhelmj, Jacques Thibaud and Jan Kubelík. Then there is a trio of fellow violinist-composers, the best known of whom is Vittorio Monti (author of the Csardas which remains popular encore fare). There are elegies, canzonettas, ariettas, serenatas and romanzas, most of them just a minute or two in length, all written to be enjoyed equally by the musicians, the dedicatee and by their audience. They are revived here with native flair by the Gran Duo Italiano, who have made a series of acclaimed albums for Brilliant Classics, including the sonatas of Saint-Saens (94848) and the music of other lesser-known late-Romantic Italian contemporaries such as Santoliquido (96589) and Scalero (96160).

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?Guido Santorsóla (1904-1994) began his musical studies at the age of five, taught by his father, a sculptor, trumpeter and double bassist who moved from Southern Italy to São Paulo, Brazil in 1909, with the rest of the family joining him the following year. He enrolled at the São Paulo Conservatory of Music, then travelled to Naples to hone his violin technique and later London, where he studied at the Trinity College of Music under Alfred Mistowsky. His eventual return to Brazil coincided with a visit from Pietro Mascagni. At a concert in the great composer's honour Santorsóla, accompanied at the piano by Mascagni himself, performed his own compositions for violin and piano for the first time. Santórsola's final compositional period began at the age of 58, in 1962. He devised a very personal 12-tone technique free from conventional rules, and not to be confused with Schoenberg's. His language is rooted in the golden age of Florentine counterpoint through to Bach. The novel instrument used on this recording - the gran violino a 5 corde (great five-string violin) - originated from an idea by violinist Mauro Tortorelli, who commissioned the luthiers Vincenzo and Marco Corrado - based in Montegiordano, in southern Italy - to build a special instrument covering both the violin and viola registers by adding the viola's low C string to the usual four of the violin. This ingenious solution allows the performer to switch between violin and viola repertoire on the same instrument. The Sonata for violin and piano, composed in São Paulo in 1928, undoubtedly belongs to Santórsola's early compositional period. Divided into three movements - Con sofferenza, Andante espressivo, Deciso - it is based on classical sonata form but with typically post-romantic expressive, passionate themes, enriched with original South America-inspired harmonies. Saudade, a nostalgic piece for violin an

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