Meister Orchestra Of The Staatsoper Stuttgart - Der Prinz Von Homburg - BLU-RAY

Resonating powerfully with Hans Werner Henze's pacifist perspective, Der Prinz von Homburg is based on a play by Heinrich von Kleist that opposes authority, celebrating a dreamer rather than a classical hero, and individualist freedom rather than militarist nationalism. Ingeborg Bachmann's libretto heightens this message, and Henze's chamber-music setting is at once powerful and unpredictable. This visually stunning production stretches from intimate transparency to dramatic heights, in a critically acclaimed staging by the award-winning director Stephan Kimmig.

Intricate thriller from director Sydney Pollack stars Robert Redford as Joseph Turner, a CIA analyst whose job involves reading spy novels and looking for potential ploys in the books' plots. Returning to his office one afternoon to find all of his co-workers have been killed, Turner becomes determined to discover who is responsible for the murders and uncovers a network of illegal activity within InchThe CompanyInch in the process. With Faye Dunaway, Cliff Robertson, Max von Sydow. 117 min. Widescreen (Enhanced); Soundtracks English DTS 5.1, DTS Lossless stereo; Subtitles English; audio commentary by Pollack, others; documentary; featurette; theatrical trailers.

What are heroes made of and why do our societies need them so badly? At the Staatsoper Stuttgart, stage director Árpád Schilling tries to answer this mythological, political and existential question, lying at the core of Richard Wagner's Lohengrin. InchA wonder! A miracle!Inch, the men and women of Brabant agreed when, against all expectations, someone stood up for Elsa and invalidated the allegations made by the plaintiff Telramund. And yet he does the most normal thing in the world to help a person in distress. So why is there a need for this savior, surrounded by the aura of mystery, whose name and origin even his new wife Elsa cannot ask? Why does the collective body abdicates it's moral and political responsibilities and surrenders them to a single individual? And when does the providential man stops being a savior and becomes a threat? For Hungarian stage director Árpád Schilling, a fierce enemy of the very idea of the cult of a personality, and he himself a political exile, these questions lie at the core of Richard Wagner's Lohengrin. For his new production at the Staatsoper Stuttgart, the stage director recenters the opera on the expressivity of the direction, and strips the stage of all it's ornamental or mythological elements. He creates a coming-of-age tale, pervaded by the themes of responsibility, trust, and the relationship between the individual and the collective. This powerful and ambitious proposition is mirrored in Maestro Cornelius Meister's expressive and philosophical conducting, and in Michaël König, Simone Schneider, Martin Gantner, Okka von der Damerau's profound singing.