Meredith d'Ambrosio - Midnight Mood - COMPACT DISCS [CD]
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I am grateful to Frédéric Loiseau for asking François Zalacain to make the project possible with me. It was a surprise to learn of his wishes. I believe that the idea to record with me came to him because of the song he wrote, originally titled InchSong For MeredithInch. His composition inspired me to write lyrics to his tune which developed into a true romantic tale about meeting my special friend, Robert. The title of the song became InchBeaucoup KissesInch. It was Frederic's hope that I would be playing piano for our duo. Sadly, my ability to create on the piano was interrupted early this year, while preparing charts for each song. Paul McWiliams, a long-time friend, whose piano playing I have admired and respected, rescued me from my impending embarrassment. So we became a trio for the album. // The album's title comes from one of my favorite tunes by Joe Zawinul. When I first heard Bill Evans's version of InchMidnight MoodInch I was swept away with it's beauty. For many decades I kept Joe's tune hidden in the back of my mind. The lyrics were building until they finally burst onto manuscript. When François presented my lyric to Joe I was thrilled to learn of his reaction. It would have been recorded on my last album, but, sadly, Joe passed away one week after he saw the lyrics with no time to properly plan for the recording of it. // I chose songs for this album that I have loved for many long decades. I believe that these songs should never be forgotten. I hope they will be considered as standards forever. // I might add that hearing the beauty, and sensitivity and hip jazz ideas of Frederic's guitar playing lifts me to the skies! And I am pleased to share with the jazz world the lovely sounds of Paul McWilliams. -Meredith
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- GenreJazzDescriptionI am grateful to Frédéric Loiseau for asking François Zalacain to make the project possible with me. It was a surprise to learn of his wishes. I believe that the idea to record with me came to him because of the song he wrote, originally titled InchSong For MeredithInch. His composition inspired me to write lyrics to his tune which developed into a true romantic tale about meeting my special friend, Robert. The title of the song became InchBeaucoup KissesInch. It was Frederic's hope that I would be playing piano for our duo. Sadly, my ability to create on the piano was interrupted early this year, while preparing charts for each song. Paul McWiliams, a long-time friend, whose piano playing I have admired and respected, rescued me from my impending embarrassment. So we became a trio for the album. // The album's title comes from one of my favorite tunes by Joe Zawinul. When I first heard Bill Evans's version of InchMidnight MoodInch I was swept away with it's beauty. For many decades I kept Joe's tune hidden in the back of my mind. The lyrics were building until they finally burst onto manuscript. When François presented my lyric to Joe I was thrilled to learn of his reaction. It would have been recorded on my last album, but, sadly, Joe passed away one week after he saw the lyrics with no time to properly plan for the recording of it. // I chose songs for this album that I have loved for many long decades. I believe that these songs should never be forgotten. I hope they will be considered as standards forever. // I might add that hearing the beauty, and sensitivity and hip jazz ideas of Frederic's guitar playing lifts me to the skies! And I am pleased to share with the jazz world the lovely sounds of Paul McWilliams. -MeredithArtistMeredith d'AmbrosioTitleMidnight MoodFormatCDLabelSunnyside
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I am grateful to Frédéric Loiseau for asking François Zalacain to make the project possible with me. It was a surprise to learn of his wishes. I believe that the idea to record with me came to him because of the song he wrote, originally titled InchSong For MeredithInch. His composition inspired me to write lyrics to his tune which developed into a true romantic tale about meeting my special friend, Robert. The title of the song became InchBeaucoup KissesInch. It was Frederic's hope that I would be playing piano for our duo. Sadly, my ability to create on the piano was interrupted early this year, while preparing charts for each song. Paul McWiliams, a long-time friend, whose piano playing I have admired and respected, rescued me from my impending embarrassment. So we became a trio for the album. // The album's title comes from one of my favorite tunes by Joe Zawinul. When I first heard Bill Evans's version of InchMidnight MoodInch I was swept away with it's beauty. For many decades I kept Joe's tune hidden in the back of my mind. The lyrics were building until they finally burst onto manuscript. When François presented my lyric to Joe I was thrilled to learn of his reaction. It would have been recorded on my last album, but, sadly, Joe passed away one week after he saw the lyrics with no time to properly plan for the recording of it. // I chose songs for this album that I have loved for many long decades. I believe that these songs should never be forgotten. I hope they will be considered as standards forever. // I might add that hearing the beauty, and sensitivity and hip jazz ideas of Frederic's guitar playing lifts me to the skies! And I am pleased to share with the jazz world the lovely sounds of Paul McWilliams. -Meredith
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As quiet as it is kept, vocalist/composer Meredith d'Ambrosio has become one of jazz music's most highly regarded storytellers and performers. Her artful approach to musical interpretation has been treasured by many and has inspired numerous fruitful collaborations. Her new recording, Some Other Time, finds her working with two masters of song, pianist Randy Halberstadt and trumpeter Don Sickler.

Gatefold 2LP (crystal clear/silver marble vinyl). Sol Invictus' compilation double album InchSol Veritas LuxInch combines the band's first releases the mini-LP InchAgainst the Modern WorldInch (1988) and the live album InchIn the Jaws of the SerpentInch (1989). The music of this is dark, rough, and primitive, and counts among the earliest efforts of the post-industrial neofolk music scene.
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