Messiah - Choir of Horrors - COMPACT DISCS [CD]

Limited clear vinyl LP pressing. PARLOPHONE LILY ALLEN / SHEEZUS Sheezus is Lily Allen's third studio album. The album was Allen's first work after a five year hiatus since the of her second studio album, It's Not Me, It's You (2009). Sheezus features production from longtime collaborator Greg Kurstin, along with the likes of Shellback, DJ Dahi and Fraser T. Smith. Album Tracks 1. Sheezus 2. L8 CMMR 3. Air Balloon 4. Our Time 5. Insincerely Yours 6. Take My Place 7. As Long As I Got You 8. Close Your Eyes 9. Url Badman 10. Silver Spoon 11. Life for Me 12. Hard Out Here 13. Interlude 14. Somewhere Only We Know

Formed in 1984, Messiah played a major role in the development of thrash and death metal in Switzerland. They released two groundbreaking albums on Chainsaw Murder Records Hymn To Abramelin in 1986 and Extreme Cold Weather in 1987. In the early nineties, Messiah signed a contract with Karl Walterbach's tag Noise Records, on which three more albums were released Choir Of Horrors (1991), Rotten Perish (1992), and Underground (1994). Many consider Choir Of Horrors to be the highlight of Messiah's work. This 35th Anniversary edition includes live recordings (Switzerland 1992, Erlangen and Berlin 1993) as well as the album's pre-production, including the unreleased track InchIndecent Assault Of The Tribe.Inch Album Tracks 1. Choir of Horrors 2. Akasha Chronicle 3. Weeping Willow 4. Lycantropus Erectus 5. Münchhausen Syndrom 6. Cautio Criminalis 7. Northern Command 8. Weena 9. Choir of Horrors (Coh Pre-Production) 10. Weeping Willow (Coh Pre-Production) 11. Münchhausen Syndrom (Coh Pre-Production) 12. Lycantropus Erectus (Coh Pre-Production) 13. Northern Command (Coh Pre-Production) 14. Indescent Assault of the Tribe (Coh Pre-Production) 15. Birth of a Second Individual 16. Psychomorphia 17. Right for Unright 18. M.A.N.I.A.C

Ladies, gentlemen, and anyone in between, after the massive (and I must say unexpected) success of the 10-volume series InchBoss Black RockersInch I decided to get back to work and found 280 new tracks for a new series of ten killer volumes. I focused on stuff never or rarely heard anywhere else and also not already been used for other Koko-Mojo Records compilations. That was actually pretty easy. The hard part was finding a cool name for this new series. More often than not InchEasy Does ItInch so I decided to simply (and cleverly) call it InchMORE Boss Black RockersInch. As y'all already know, so many similar projects were devoted through the years to white rock and rollers (even the most obscure and unknown) and very little to the people that not only InchoriginatedInch this music and played it long before white musicians started to fool around with it. They also continued to play it when black Rhythm and Blues music was suddenly re-named InchRock and RollInch to appeal to a wider white audience in segregated America and became a multi-racial genre in the mid-1950s. Once again, some tunes are pretty well-known, but the vast majority are not. Chances are that you never-ever heard a lot of the tracks included here - even if a lot of them were pretty popular in the 1950s among both black and white Rock and Roll fans. Most of the artists in this new series (just like the first one) were actually household names in the InchRock and Roll WorldInch of the '50s and early '60s. When Rock & Roll history was re-written from a strictly white rock standpoint only a few black rockers were included (maybe less than a dozen) when actually back in the day almost every African-American R&B act (maybe a MILLION or more) was actually Rock & Roll and white artists were actually a minority for a long time. So InchBLACKInch by popular demand here's to you InchMORE Boss Black Rockers.Inch