Michael Dussek - Romantic Revolution - COMPACT DISCS [CD]
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SOMM RECORDINGS is pleased to announce the return of pianist Michael Dussek to explore the music of his ancestor Jan Ladislav Dussek and it's relationship to one of the piano repertoire's most illustrious champions, Fryderyk Chopin. This fascinating recital reveals Dussek - a colorful character and favorite of Marie Antoinette whose talents took him throughout Europe and Russia - as Inchrevolutionary in his approach to both composition and pianismInch and makes a persuasive argument for Dussek's influence on Chopin. In his informative booklet notes, Michael Dussek makes the case for his namesake's music being the product of a composer Inchvery much ahead of his time in the development of a Romantic piano styleInch (Grove Music). The disc's centerpiece is the Op.35 Piano Sonatas (Nos.11-13), the B-flat major Sonata a crucible of ideas accommodating the rustic lyricism of his native Bohemia, a contrapuntal sophistication that would find full flowering in his later Messe Solennelle, and an anticipation of what would become a Chopin signature. The G major Sonata boasts melodic expressiveness, virtuoso passagework, a harmonic boldness that Schubert would later more fully exploit and a Rondo finale that out-Haydns Haydn. The Sonata in C minor strikingly blends Beethoven, Chopin and a joyful village dance to conclude a Inchgloriously innovative triptychInch. Completing the album are two pinnacles of the piano repertoire Chopin's exquisite Nocturne, Op.15 No.2, and the lyrical, rapturously intense Ballade No.1 in G minor. Michael Dussek's previous SOMM recordings include volumes of chamber music by Frank Bridge and Jacques Ibert with the Bridge Quartet. MusicWeb International hailed the earlier recording as Inchvivacious, subtle and faithful to [Bridge's] mercurial museInch, adding InchMichael Dussek is a doyen among the pianists who have made themselves familiar with this
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- GenreClassicalDescriptionSOMM RECORDINGS is pleased to announce the return of pianist Michael Dussek to explore the music of his ancestor Jan Ladislav Dussek and it's relationship to one of the piano repertoire's most illustrious champions, Fryderyk Chopin. This fascinating recital reveals Dussek - a colorful character and favorite of Marie Antoinette whose talents took him throughout Europe and Russia - as Inchrevolutionary in his approach to both composition and pianismInch and makes a persuasive argument for Dussek's influence on Chopin. In his informative booklet notes, Michael Dussek makes the case for his namesake's music being the product of a composer Inchvery much ahead of his time in the development of a Romantic piano styleInch (Grove Music). The disc's centerpiece is the Op.35 Piano Sonatas (Nos.11-13), the B-flat major Sonata a crucible of ideas accommodating the rustic lyricism of his native Bohemia, a contrapuntal sophistication that would find full flowering in his later Messe Solennelle, and an anticipation of what would become a Chopin signature. The G major Sonata boasts melodic expressiveness, virtuoso passagework, a harmonic boldness that Schubert would later more fully exploit and a Rondo finale that out-Haydns Haydn. The Sonata in C minor strikingly blends Beethoven, Chopin and a joyful village dance to conclude a Inchgloriously innovative triptychInch. Completing the album are two pinnacles of the piano repertoire Chopin's exquisite Nocturne, Op.15 No.2, and the lyrical, rapturously intense Ballade No.1 in G minor. Michael Dussek's previous SOMM recordings include volumes of chamber music by Frank Bridge and Jacques Ibert with the Bridge Quartet. MusicWeb International hailed the earlier recording as Inchvivacious, subtle and faithful to [Bridge's] mercurial museInch, adding InchMichael Dussek is a doyen among the pianists who have made themselves familiar with thisArtistMichael DussekTitleRomantic RevolutionFormatCDLabelSomm Recordings
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SOMM RECORDINGS is pleased to announce the return of pianist Michael Dussek to explore the music of his ancestor Jan Ladislav Dussek and it's relationship to one of the piano repertoire's most illustrious champions, Fryderyk Chopin. This fascinating recital reveals Dussek - a colorful character and favorite of Marie Antoinette whose talents took him throughout Europe and Russia - as Inchrevolutionary in his approach to both composition and pianismInch and makes a persuasive argument for Dussek's influence on Chopin. In his informative booklet notes, Michael Dussek makes the case for his namesake's music being the product of a composer Inchvery much ahead of his time in the development of a Romantic piano styleInch (Grove Music). The disc's centerpiece is the Op.35 Piano Sonatas (Nos.11-13), the B-flat major Sonata a crucible of ideas accommodating the rustic lyricism of his native Bohemia, a contrapuntal sophistication that would find full flowering in his later Messe Solennelle, and an anticipation of what would become a Chopin signature. The G major Sonata boasts melodic expressiveness, virtuoso passagework, a harmonic boldness that Schubert would later more fully exploit and a Rondo finale that out-Haydns Haydn. The Sonata in C minor strikingly blends Beethoven, Chopin and a joyful village dance to conclude a Inchgloriously innovative triptychInch. Completing the album are two pinnacles of the piano repertoire Chopin's exquisite Nocturne, Op.15 No.2, and the lyrical, rapturously intense Ballade No.1 in G minor. Michael Dussek's previous SOMM recordings include volumes of chamber music by Frank Bridge and Jacques Ibert with the Bridge Quartet. MusicWeb International hailed the earlier recording as Inchvivacious, subtle and faithful to [Bridge's] mercurial museInch, adding InchMichael Dussek is a doyen among the pianists who have made themselves familiar with this
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SOMM Recordings is delighted to announce the second volume of Romantic Revolution, a revelatory exploration by pianist Michael Dussek of the musical relationship between his ancestor, Jan Ladislav Dussek, and Fryderyk Chopin. Volume II focuses on music composed during the period 1789 to 1846 spanning the early years of Dussek's compositional career and the final years of Chopin's. Dussek's early Sonata in G minor (Op.10 No.2) from 1789 already shows the Bohemian composer pushing against inherited norms and reaching towards the testing of form and extreme keyboard ranges that would color his music over the next 20 years, combining, as Dussek says in his insightful booklet notes, Inchvirtuosic fingerwork [that] alternates with operatic dialogueInch. His Op.70 Sonata in A flat, Le retour à Paris, from 1805 Inchin every way breaks new groundInch to produce Incha thrilling tour de force setting new standards in virtuosic piano writingInch. The two companion Chopin pieces - the Fantasy in F minor (Op.49) and Polonaise-Fantaisie in A flat (Op.61) - have been chosen Inchto emphasize the similarities of piano sonority and harmonyInch between the two composers. Their inclusion points to Dussek's guiding aim of the series Inchsimply to demonstrate the influence, in my view undeniable and at least partially unrecognized, of [Jan Ladislav] Dussek on the great Polish composer [Chopin]Inch.
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