Michael Rische (piano) - Piano Concertos - COMPACT DISCS [CD]
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As early as his Piano Concerto in A minor, Wq1, which he composed in Leipzig at the age of 19, it was hard for Carl Philipp Emanuel Bach to conceal his ability to weave his own stylistic flair into the still nascent genre of the piano concerto. This can be seen not only pianistically in unconventional technical demands (leaps of up to two octaves combined with melodic writing, elaborate embellishments and other features typical of instrumental works) but also in unexpected extensions of the formal layout and at times abruptly harsh passages. Starting with Wq1, Carl Philipp Emanuel Bach proved the tremendous potential for development and transformation of this genre. The concertos would occupy him all his life and constantly take him along new pathways. Thus, in the course of 55 years a cosmos emerged which only our generation has been given the opportunity to discover.
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- GenreClassicalDescriptionAs early as his Piano Concerto in A minor, Wq1, which he composed in Leipzig at the age of 19, it was hard for Carl Philipp Emanuel Bach to conceal his ability to weave his own stylistic flair into the still nascent genre of the piano concerto. This can be seen not only pianistically in unconventional technical demands (leaps of up to two octaves combined with melodic writing, elaborate embellishments and other features typical of instrumental works) but also in unexpected extensions of the formal layout and at times abruptly harsh passages. Starting with Wq1, Carl Philipp Emanuel Bach proved the tremendous potential for development and transformation of this genre. The concertos would occupy him all his life and constantly take him along new pathways. Thus, in the course of 55 years a cosmos emerged which only our generation has been given the opportunity to discover.ArtistMichael Rische (piano)TitlePiano ConcertosFormatCDLabelProfil - G Haenssler
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As early as his Piano Concerto in A minor, Wq1, which he composed in Leipzig at the age of 19, it was hard for Carl Philipp Emanuel Bach to conceal his ability to weave his own stylistic flair into the still nascent genre of the piano concerto. This can be seen not only pianistically in unconventional technical demands (leaps of up to two octaves combined with melodic writing, elaborate embellishments and other features typical of instrumental works) but also in unexpected extensions of the formal layout and at times abruptly harsh passages. Starting with Wq1, Carl Philipp Emanuel Bach proved the tremendous potential for development and transformation of this genre. The concertos would occupy him all his life and constantly take him along new pathways. Thus, in the course of 55 years a cosmos emerged which only our generation has been given the opportunity to discover.
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I had the priceless opportunity of speaking with Nikolaus Harnoncourt about the keyboard concertos of C. P. E. Bach. His enormous insight, paired with an unpretentious attitude, and his always palpable enthusiasm for the music, impressed me deeply. In the end he said to me, in order to quash immediately all doubt about recording the Bach keyboard concertos on a modern piano InchDo that, do that absolutely; and if you can manage to get something rolling with it, I will be the first to congratulate you.Inch What generosity, but also what a responsibility!Inch Michael Rische
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