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S Midnight Sister, multi-disciplinary LA artists Juliana Giraffe and Ari Balouzian make motion pictures. Yes, sometimes with moving images - but most often only with the music they create together. Balouzian's serpentine, string compositions are movie scenes that allow Giraffe, a brilliant character actor, to cloak herself in a new roles and voices. A bit of Jon Brion's score work; some old Hollywood strings; a solid dose of glam and outsider disco from 70s independent cinema. Any perceived artifice is always matched by an indelible human fingerprint, something perfectly off. Giraffe and Balouzian's respective work in fashion, visual art, video and film scoring - along with the gang of virtuosos with which they surround themselves - all wonderfully coalesce as Midnight Sister. And if 2017's 'Saturn Over Sunset' was their collection of short films about outcast life in The San Fernando Valley, then their new album 'Paining the Roses' is the inventive, meta motion picture that cements them as auteurs. 'Painting the Roses' is in many ways a fairy tale - not so much the sweet-and-happy-ending kind as something richer, packed with imagination and rooted in the complex human messiness beneath a story's artifice. Frontwoman Giraffe describes it as Inchthis tightrope of being real yet synthetic, organic yet staged, light yet dark, logical yet irrational, beautiful yet dilapidated. Joyful nonsense.Inch Here, disguises like masks and paint are not meant to hide but to liberate, to Inchset a part of us freeInch, and Midnight Sister often embody this themselves, appearing highly stylized, curious, warm and inviting but a little askew. 'Painting the Roses' is a story told through the looking glass, one where we examine ourselves in a funhouse mirror but find clarity in it's twists. Giraffe traveled to visit family in Argentina during the making of the album and reconnected greatly
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S Midnight Sister, multi-disciplinary LA artists Juliana Giraffe and Ari Balouzian make motion pictures. Yes, sometimes with moving images - but most often only with the music they create together. Balouzian's serpentine, string compositions are movie scenes that allow Giraffe, a brilliant character actor, to cloak herself in a new roles and voices. A bit of Jon Brion's score work; some old Hollywood strings; a solid dose of glam and outsider disco from 70s independent cinema. Any perceived artifice is always matched by an indelible human fingerprint, something perfectly off. Giraffe and Balouzian's respective work in fashion, visual art, video and film scoring - along with the gang of virtuosos with which they surround themselves - all wonderfully coalesce as Midnight Sister. And if 2017's 'Saturn Over Sunset' was their collection of short films about outcast life in The San Fernando Valley, then their new album 'Paining the Roses' is the inventive, meta motion picture that cements them as auteurs. 'Painting the Roses' is in many ways a fairy tale - not so much the sweet-and-happy-ending kind as something richer, packed with imagination and rooted in the complex human messiness beneath a story's artifice. Frontwoman Giraffe describes it as Inchthis tightrope of being real yet synthetic, organic yet staged, light yet dark, logical yet irrational, beautiful yet dilapidated. Joyful nonsense.Inch Here, disguises like masks and paint are not meant to hide but to liberate, to Inchset a part of us freeInch, and Midnight Sister often embody this themselves, appearing highly stylized, curious, warm and inviting but a little askew. 'Painting the Roses' is a story told through the looking glass, one where we examine ourselves in a funhouse mirror but find clarity in it's twists. Giraffe traveled to visit family in Argentina during the making of the album and reconnected greatly

Double vinyl LP pressing. 2023 , the 12th studio album from the heavy metal icons. Produced by Greg Fidelman with Hetfield & Ulrich, the 12-track album is the band's first full-length collection of new material since 2016's Hardwired... To Self-Destruct. Speaking on the concept of the album title, James said Inch72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told 'who we are' by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is a reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry.Inch Album Tracks 1. 72 Seasons 2. Shadows Follow 3. Screaming Suicide 1. Sleepwalk My Life Away 2. You Must Burn! 3. Lux Æterna 1. Crown of Barbed Wire 2. Chasing Light 3. If Darkness Had a Son 1. Too Far Gone? 2. Room of Mirrors 3. Inamorata

Limited 180gm vinyl LP pressing in gatefold jacket. The 50th anniversary edition of the original studio album remastered by James Guthrie comes in a gatefold jacket with posters and stickers. Album Tracks 1. Speak to Me 2. Breathe (In the Air) 3. On the Run 4. Time 5. The Great Gig in the Sky 1. Money 2. Us and Them 3. Any Colour You Like 4. Brain Damage 5. Eclipse