Mikal Cronin - McIii - VINYL LP
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Mikal Cronin returns with MCIII. Marked by the rich arrangements, stunning melodies, and deeply personal lyrical work for which Cronin is now known, the album is also a deliberate attempt to simply 'go big.' As he did on his self-titled 2011 debut and 2013's MCII, Cronin arranged and played nearly all of the record himself, including the tzouras, a traditional Greek string instrument he heard and subsequently bought while on tour in Athens. There's French horn, saxophone, and trumpet. There are mood-altering crescendos and heartbreaking turns-of-phrase, guitars both gorgeous and pugnacious. No longer satisfied with the sound of 'just one string player,' Cronin arranged parts for a full string quartet instead. 'It's a continuation of what I've been trying to do up until now, but I'm finding a better way to do it,' he says. 'I'm finding a more successful way of working those unexpected elements and textures and instruments into a rock record, of exploring that wormhole and mashing everything together harmoniously. I like riding the line between the two,' he adds. 'I like finding new ways to bring different musical worlds together.'
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VINYLSpecifications
- GenreRockDescriptionMikal Cronin returns with MCIII. Marked by the rich arrangements, stunning melodies, and deeply personal lyrical work for which Cronin is now known, the album is also a deliberate attempt to simply 'go big.' As he did on his self-titled 2011 debut and 2013's MCII, Cronin arranged and played nearly all of the record himself, including the tzouras, a traditional Greek string instrument he heard and subsequently bought while on tour in Athens. There's French horn, saxophone, and trumpet. There are mood-altering crescendos and heartbreaking turns-of-phrase, guitars both gorgeous and pugnacious. No longer satisfied with the sound of 'just one string player,' Cronin arranged parts for a full string quartet instead. 'It's a continuation of what I've been trying to do up until now, but I'm finding a better way to do it,' he says. 'I'm finding a more successful way of working those unexpected elements and textures and instruments into a rock record, of exploring that wormhole and mashing everything together harmoniously. I like riding the line between the two,' he adds. 'I like finding new ways to bring different musical worlds together.'ArtistMikal CroninTitleMcIiiFormatVINYLLabelMerge Records
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Mikal Cronin returns with MCIII. Marked by the rich arrangements, stunning melodies, and deeply personal lyrical work for which Cronin is now known, the album is also a deliberate attempt to simply 'go big.' As he did on his self-titled 2011 debut and 2013's MCII, Cronin arranged and played nearly all of the record himself, including the tzouras, a traditional Greek string instrument he heard and subsequently bought while on tour in Athens. There's French horn, saxophone, and trumpet. There are mood-altering crescendos and heartbreaking turns-of-phrase, guitars both gorgeous and pugnacious. No longer satisfied with the sound of 'just one string player,' Cronin arranged parts for a full string quartet instead. 'It's a continuation of what I've been trying to do up until now, but I'm finding a better way to do it,' he says. 'I'm finding a more successful way of working those unexpected elements and textures and instruments into a rock record, of exploring that wormhole and mashing everything together harmoniously. I like riding the line between the two,' he adds. 'I like finding new ways to bring different musical worlds together.'

Vinyl LP pressing. Mikal Cronin's self-titled debut from 2011 was all about endings The end of college, the end of a serious relationship, and the end of his time in Los Angeles, where he grew up. So it's no surprise that his sophomore MCII and first disc for Merge Records is all about new beginnings.
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Vinyl LP pressing. 2011 solo album from the Moonhearts member featuring guest spots from Ty Segall and John Dwyer. Mikal's debut is full of personal and universal themes, taking such influences as late '60s Del Shannon and the Everley Bros, a more Punk Harry Nilsson or Curt Boettcher, balancing sweet melodies and chords with chunky, psychedelic guitar freakouts, filtering them through his own mutant California fuzz.
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