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A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, 'So What, Freddie Freeloader' and 'Blue in Green,' making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records - or their latter-day parent, Sony Music - on a CD reissue in the late '90s. This edition also contains on Side 4 'Flamenco Sketches (alternate take)' cut at 45 RPM.Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into 'Best Of' lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley with Wynton Kelly playing piano on 'Freddy the Freeloader.'Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. 'The music has gotten thick,' Davis complained in a 1958 interview for The Jazz Review. '... There will be fewer chords but infinite possibilities
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A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, 'So What, Freddie Freeloader' and 'Blue in Green,' making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records - or their latter-day parent, Sony Music - on a CD reissue in the late '90s. This edition also contains on Side 4 'Flamenco Sketches (alternate take)' cut at 45 RPM.Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into 'Best Of' lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley with Wynton Kelly playing piano on 'Freddy the Freeloader.'Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. 'The music has gotten thick,' Davis complained in a 1958 interview for The Jazz Review. '... There will be fewer chords but infinite possibilities

Light and airy, filmic but intimate, carefully arranged but deceptively powerful, SUCK IT AND SEE is Arctic Monkeys fourth album. Recorded at Sound City Studios in Los Angeles with long-time producer/ collaborator James Ford, it has a summery pop feel With the bulk of work completed on the West Coast during January, it's got the feel-good sound of stealing some winter sun, some out of season Vitamin D. with SUCK IT AND SEE the band perfectly mesh their hard and soft sides. The album is lyrically their most verbose since their record-breaking debut WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT. SUCK IT AND SEE is not just the sound of a band working in perfect, energetic sync, it's one of the years best albums. Album Tracks 1. She's Thunderstorms 2. Black Treacle 3. Brick By Brick 4. The Hellcat Spangled Shalalala 5. Don't Sit Down Cause I've Moved Your Chair 6. Library Pictures 7. All My Own Stunts 8. Reckless Serenade 9. Piledriver Waltz 10. Love Is a Laserquest 11. Suck It and See 12. That's Where You're Wrong

Standard vinyl LP pressing. Digitally remixed 50th Anniversary edition of The Beatles' musical masterpiece. This Abbey Road features the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album's original stereo mix supervised by his father, George Martin. It is time to experience Abbey Road again! Album Tracks 1. Come Together 2. Something 3. Maxwell's Silver Hammer 4. Oh! Darling 5. Octopus's Garden 6. I Want You (She's So Heavy) 1. Here Comes the Sun 2. Because 3. You Never Give Me Your Money 4. Sun King 5. Mean Mr Mustard 6. Polythene Pam 7. She Came in Through the Bathroom Window 8. Golden Slumbers 9. Carry That Weight 10. The End 11. Her Majesty

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX
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