Milt Jackson - Ballads & Blues - VINYL LP
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Whenever Milt Jackson could free himself from the 'bondage' of the Modern Jazz Quartet and it's assertive leader John Lewis, he dedicated himself to his two great passions ballads and the blues. That was precisely the case when he entered the famous Rudy van Gelder Studio in Hackensack, New Jersey, USA in 1956. He was free to choose his sidemen, and money was no object, which is why various formations gathered in the studio for the three recording sessions. With Lucky Thompson on the tenor sax (unfortunately for only three numbers), Barry Galbraith, Barney Kessel or Skeeter Best on the guitar, Oscar Pettiford or Percy Heath on the bass, together with Kenny Clarke or Lawrence Marable on the drums, he set off on a journey through the history of jazz. John Lewis stayed unobtrusively in the background and offered 'Bags' (as Milt was known) plenty of opportunities to glory in soloistic freedom.The themes were soon found the musical composers Cole Porter, Irving Berlin and Jerome Kern, as well as a work from The Duke Ellington Songbook, formed a basis upon which all the musicians could perform with confidence. Three compositions by Milt Jackson himself proved that he too was full of imagination. Recording January 1956 in New York City by Tom Dowd and February 1956 at Rudy Van Gelder Studio in Hackensack, New Jersey, by Rudy Van Gelder Production Nesuhi Ertegun
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- GenreJazzDescriptionWhenever Milt Jackson could free himself from the 'bondage' of the Modern Jazz Quartet and it's assertive leader John Lewis, he dedicated himself to his two great passions ballads and the blues. That was precisely the case when he entered the famous Rudy van Gelder Studio in Hackensack, New Jersey, USA in 1956. He was free to choose his sidemen, and money was no object, which is why various formations gathered in the studio for the three recording sessions. With Lucky Thompson on the tenor sax (unfortunately for only three numbers), Barry Galbraith, Barney Kessel or Skeeter Best on the guitar, Oscar Pettiford or Percy Heath on the bass, together with Kenny Clarke or Lawrence Marable on the drums, he set off on a journey through the history of jazz. John Lewis stayed unobtrusively in the background and offered 'Bags' (as Milt was known) plenty of opportunities to glory in soloistic freedom.The themes were soon found the musical composers Cole Porter, Irving Berlin and Jerome Kern, as well as a work from The Duke Ellington Songbook, formed a basis upon which all the musicians could perform with confidence. Three compositions by Milt Jackson himself proved that he too was full of imagination. Recording January 1956 in New York City by Tom Dowd and February 1956 at Rudy Van Gelder Studio in Hackensack, New Jersey, by Rudy Van Gelder Production Nesuhi ErtegunArtistMilt JacksonTitleBallads & BluesFormatVINYLLabelSpeakers Corner
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Whenever Milt Jackson could free himself from the 'bondage' of the Modern Jazz Quartet and it's assertive leader John Lewis, he dedicated himself to his two great passions ballads and the blues. That was precisely the case when he entered the famous Rudy van Gelder Studio in Hackensack, New Jersey, USA in 1956. He was free to choose his sidemen, and money was no object, which is why various formations gathered in the studio for the three recording sessions. With Lucky Thompson on the tenor sax (unfortunately for only three numbers), Barry Galbraith, Barney Kessel or Skeeter Best on the guitar, Oscar Pettiford or Percy Heath on the bass, together with Kenny Clarke or Lawrence Marable on the drums, he set off on a journey through the history of jazz. John Lewis stayed unobtrusively in the background and offered 'Bags' (as Milt was known) plenty of opportunities to glory in soloistic freedom.The themes were soon found the musical composers Cole Porter, Irving Berlin and Jerome Kern, as well as a work from The Duke Ellington Songbook, formed a basis upon which all the musicians could perform with confidence. Three compositions by Milt Jackson himself proved that he too was full of imagination. Recording January 1956 in New York City by Tom Dowd and February 1956 at Rudy Van Gelder Studio in Hackensack, New Jersey, by Rudy Van Gelder Production Nesuhi Ertegun

Vibraphonist Milt Jackson was a frequent presence on Blue Note sessions in the bebop era. As part of the fabled 1500 Series begun in 1956, the tag issued the 12-inch compilation Milt Jackson and The Thelonious Monk Quintet which expanded Jackson's 10-inch LP Wizard of the Vibes with tracks from 1948 and 1951 dates led by Monk. The album cover was the first designed by Reid Miles. This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Vinyl LP pressing. Ballads is a jazz album by John Coltrane. It was recorded in December 1961 and 1962. Critic Gene Lees stated that the quartet had never played the tunes before. InchThey arrived with music-store sheet music of the songsInch and just before the recordings, they Inchwould discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do itInch. Each piece was recorded in one take, except for InchAll or Nothing at AllInch.

Ben Webster - Ballads [VINYL LP] Gatefold LP Jacket, Ltd Ed, 180 Gram, Special Ed, Spain - Import date 08/11/2017
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