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Minguet Quartett - Five String Quartets - COMPACT DISCS [CD]

SKU: 10629004

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Emil Nikolaus von Reznicek devoted himself primarily to the opera and to orchestral music in his capacity as a composer; chamber and piano music played a rather secondary role in his oeuvre. Here the genre of the string quartet, to which he turned at various points during his compositional development, formed an exception. What was central for him here was always Inchthe idea.Inch For him this idea was not a theme or a melody but the idea for a work. For example, he explained that he designed the Donna Diana overture in five minutes while lying on the divan and smoking a cigar. With the idea for the work in his head, he sat down at the piano and sought suitable themes for it. It is thus that many of his quartets experienced a difficult and varied developmental history since he often took them up again, revising and rewriting them at various times. However, all the quartets may be regarded as independent contemporary contributions to the genre; they range from his early development, when he continued to regard Beethoven as his model, to his complex and individual mature late quartets of great expressive power.

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  • Genre
    Classical
    Description
    Emil Nikolaus von Reznicek devoted himself primarily to the opera and to orchestral music in his capacity as a composer; chamber and piano music played a rather secondary role in his oeuvre. Here the genre of the string quartet, to which he turned at various points during his compositional development, formed an exception. What was central for him here was always Inchthe idea.Inch For him this idea was not a theme or a melody but the idea for a work. For example, he explained that he designed the Donna Diana overture in five minutes while lying on the divan and smoking a cigar. With the idea for the work in his head, he sat down at the piano and sought suitable themes for it. It is thus that many of his quartets experienced a difficult and varied developmental history since he often took them up again, revising and rewriting them at various times. However, all the quartets may be regarded as independent contemporary contributions to the genre; they range from his early development, when he continued to regard Beethoven as his model, to his complex and individual mature late quartets of great expressive power.
    Artist
    Minguet Quartett
    Title
    Five String Quartets
    Format
    CD
    Label
    Cpo Records
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Minguet Quartett - Five String Quartets   - COMPACT DISCS [CD]
Minguet Quartett - Five String Quartets - COMPACT DISCS [CD]

Emil Nikolaus von Reznicek devoted himself primarily to the opera and to orchestral music in his capacity as a composer; chamber and piano music played a rather secondary role in his oeuvre. Here the genre of the string quartet, to which he turned at various points during his compositional development, formed an exception. What was central for him here was always Inchthe idea.Inch For him this idea was not a theme or a melody but the idea for a work. For example, he explained that he designed the Donna Diana overture in five minutes while lying on the divan and smoking a cigar. With the idea for the work in his head, he sat down at the piano and sought suitable themes for it. It is thus that many of his quartets experienced a difficult and varied developmental history since he often took them up again, revising and rewriting them at various times. However, all the quartets may be regarded as independent contemporary contributions to the genre; they range from his early development, when he continued to regard Beethoven as his model, to his complex and individual mature late quartets of great expressive power.

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Walter Braunfels wrote his first two string quartets in 1944; they were followed after the war by the String Quintet (1946/47), the Third String Quartet (1946/47), and the new Final Movement composed for the latter (1953). All these works meet the highest standards in terms of transparent voice leading, closely knit polyphony, and boldly expanded tonal harmony. In 1933 he was dismissed from all posts, regardless of his merits, because he was half Jewish. Braunfels was restored to his post of director at Cologne Conservatory in 1945.. Braunfels was swimming against the tide profoundly rooted in the Classical-Romantic tradition, his style was deemed inconvenient in the face of prevalent postmodern tendencies in the first years after the war.

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