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On a beautiful June weekend in 1967, at the beginning of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade s spirit and ushering in a new era of rock and roll. Monterey featured career-making performances by Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few performers in a wildly diverse lineup that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic verite style and a camera crew that included the likes of Albert Maysles and Richard Leacock D. A. Pennebaker captured it all, immortalizing moments that have become legend Pete Townshend smashing his guitar, Jimi Hendrix burning his, Mama Cass being blown away by Janis Joplin's performance. The Criterion Collection is proud to present this timeless document of a landmark event. DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES New 16-bit 4K digital restoration of Monterey Pop, supervised by director D. A. Pennebaker, with uncompressed stereo soundtrack Alternate soundtrack featuring a 5.1 mix by legendary recording engineer Eddie Kramer, presented in DTS-HD Master Audio THE OUTTAKE PERFORMANCES Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, the Byrds, Country Joe and the Fish, the Electric Flag, Jefferson Airplane, Al Kooper, the Mamas and the Papas, Laura Nyro, the Paul Butterfield Blues Band, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentary by Pennebaker and festival producer Lou Adler New interviews with Adler and Pennebaker Chiefs (1968), a short film by cameraman Richard Leacock, which played alongside Monterey Pop during its inaugural theatrical run Interview from 2002 with Adler and Pennebaker
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On a beautiful June weekend in 1967, at the beginning of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade s spirit and ushering in a new era of rock and roll. Monterey featured career-making performances by Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few performers in a wildly diverse lineup that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic verite style and a camera crew that included the likes of Albert Maysles and Richard Leacock D. A. Pennebaker captured it all, immortalizing moments that have become legend Pete Townshend smashing his guitar, Jimi Hendrix burning his, Mama Cass being blown away by Janis Joplin's performance. The Criterion Collection is proud to present this timeless document of a landmark event. DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES New 16-bit 4K digital restoration of Monterey Pop, supervised by director D. A. Pennebaker, with uncompressed stereo soundtrack Alternate soundtrack featuring a 5.1 mix by legendary recording engineer Eddie Kramer, presented in DTS-HD Master Audio THE OUTTAKE PERFORMANCES Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, the Byrds, Country Joe and the Fish, the Electric Flag, Jefferson Airplane, Al Kooper, the Mamas and the Papas, Laura Nyro, the Paul Butterfield Blues Band, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentary by Pennebaker and festival producer Lou Adler New interviews with Adler and Pennebaker Chiefs (1968), a short film by cameraman Richard Leacock, which played alongside Monterey Pop during its inaugural theatrical run Interview from 2002 with Adler and Pennebaker

In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time-traveling dwarfs. Armed with a map stolen from the Supreme Being (Ralph Richardson), they plunder treasure from Napoleon (Ian Holm) and Agamemnon (Sean Connery)-but the Evil Genius (David Warner) is watching their every move. Featuring a darkly playful script by Gilliam and his Monty Python cohort Michael Palin (who also appears in the film), Time Bandits is at once a giddy fairy tale, a revisionist history lesson, and a satire of technology gone awry.

Though he made only a handful of films, director, writer, and actor Jacques Tati ranks among the most beloved of all cinematic geniuses. With a background in music hall and mime performance, Tati steadily built an ever more ambitious movie career that ultimately raised sight-gag comedy to the level of high art. In the surrogate character of the sweet and bumbling, eternally umbrella-toting and pipe smoking Monsieur Hulot, Tati invented a charming symbol of humanity lost in a constantly modernizing modern age. This set gathers his six hilarious features; Jour de fete, Monsieur Hulot's Holiday, Monocle, PlayTime, Traffic, and Parade - along with seven delightful Tati-related short films.