Moran,Robert - Mantra - COMPACT DISCS [CD]

You called yourself broken, but that's just what people are, that's how the light gets in,Inch sings Bess Atwell in the opening moments of Light Sleeper, before gentle hums of strings and shuffling snares make way for the Brighton singer's voice at full pelt, singing with a newfound rawness. InchLight Sleeper is about the willingness to feel,Inch the Brighton singer-songwriter explains. InchSomewhere along the line I had become very afraid of feeling.Inch A huge part of this exploratory new era was Aaron Dessner, who produced Light Sleeper. His isolated cabin studio Long Pond, in Hudson Valley, was once Bess' desktop background, but she never thought she would end up star-gazing on it's veranda and noodling away on the same instruments used by her heroes, not to mention a certain pop star... The immediate trust between the pair clicked the moment Atwell walked through the doors of the iconic recording space; Dessner showed her around and then promptly left her alone to play on the many instruments at the heart of her favourite The National songs. As Atwell puts it, they seemed to speak the same musical language. InchI trust his ear and I knew we had the same visionInch she says. Since the of 'Already, Always' Atwell has been through a number of personal transformations including tapering off antidepressants, after Inchyears of avoiding itInch. Reflections on her upbringing and re-evaluations of some of her experiences led to a autism diagnosis in May 2023, which has helped her to make sense of many different moments. Motifs of sleeping and waking run throughout Light Sleeper, which constantly stirs and settles, Atwell embracing the full range and rawness of her voice like never before. By the title-track, which closes the album, twinkling, starry synthesisers lead her to a place of quiet realisation InchI'm ready to be a light sleeper again/To wake up and feel ever

Moran was commissioned by Trinity Wall Street (the 'Ground Zero' church) to write a Requiem for their youth chorus to commemorate the 10th anniversary of September 11, 2001. The result is a heartfelt and heavenly work for angelic voices with organ, harps and cellos. It's simplicity and direct appeal rival that of Faure himself and it is sure to become a standard repertory work. While many of the singers were barely born at the time of the attacks in New York, the composer found inspiration in the all-too common grief found in war zones around the world (such as Kosovo and London) when children suddenly lose their families to violence. Listeners will note the synchronicity recorded on tape during the Offertory; a siren passed by during the best vocal take and could not be edited out. It becomes a touching reminder of the context of this work and the personal authenticity of these fine musicians.

Moran / Moran - Game of the Antichrist [COMPACT DISCS] date 10/28/2014