Mozart / Mata,Eduardo - Eduardo Mata Edition 1 - COMPACT DISCS [CD]

Chavez / Mata,Eduardo - Eduardo Mata Edition 9 [COMPACT DISCS] date 06/23/2010

Album Tracks 1. Cantat Criolla, 'Florentino, El Que Cantã³ Con El Diablo (The One Who Sang with the Devil) Lento E Cadencioso 2. Cantat Criolla, 'Florentino, El Que Cantó Con El Diablo (The One Who Sang with the Devil) Lento, Tenebroso 3. Cantat Criolla, 'Florentino, El Que Cantó Con El Diablo (The One Who Sang with the Devil) Allegro Vivo 4. Chã'ros No. 10, for Chorus & Orchestra, 'Rasga O Coraã§Ao' (Also Ballet, 'Jurapary'), a. 209 1. Redes, Suite for Orchestra (Compiled By Erich Kleiber from the Film Score) Part 1. the Fisherman 2. Redes, Suite for Orchestra (Compiled By Erich Kleiber from the Film Score) Part 1. the Child's Funeral 3. Redes, Suite for Orchestra (Compiled By Erich Kleiber from the Film Score) Part 1. Setting Out to Fish 4. Redes, Suite for Orchestra (Compiled By Erich Kleiber from the Film Score) Part 2. the Fight 5. Redes, Suite for Orchestra (Compiled By Erich Kleiber from the Film Score) Part 2. the Return of the Fishermen with Their Dead Frien 6. Concerto Grosso for String Quartet & Orchestra Moderato 7. Concerto Grosso for String Quartet & Orchestra Lento 8. Concerto Grosso for String Quartet & Orchestra Allegro 9. Sensemaya, for Orchestra 10. Pampeana No. 3, for Orchestra, Op. 24 Adagio Contemplativo 11. Pampeana No. 3, for Orchestra, Op. 24 Impetuosamente 12. Pampeana No. 3, for Orchestra, Op. 24 Largo Con Poetica 1. Versiones Sinfã³Nicas (3), for Orchestra Pavana (Luis de Milã¡N) 2. Versiones Sinfónicas (3), for Orchestra Organum-Conductus (Perotinus) 3. Versiones Sinfónicas (3), for Orchestra Xylophone (Congo) 4. Bachianas Brasileiras No. 2, for Orchestra, a. 247 El Canto Del Campesino (The Song of the Countryman) 5. Bachianas Brasileiras No. 2, for Orchestra, a. 247 El Canto de Nuestra Tierra (The Song of Our Country) 6. Bachianas Brasileiras No. 2, for Or

Jean Muller writes InchMozart's piano sonatas are, according to Charles Rosen, actually quite fully fledged Classical compositions which are in no respect inferior to his works in other genres. Even in the few sonatas composed for pedagogical purposes, the dramatic genius of Mozart that had been sharpened by opera reveals itself. In all his sonatas the astounding, simply inexhaustible melodic richness is perfectly balanced by clear proportions and an osmosis between form and content, and with a dreamy, almost playful lightness. In the two minor-key sonatas, on the other hand, Mozart is shockingly tragic, unexpectedly uncompromising, and on a par with Beethoven in terms of dark, surging power. One particular aspect, however, seems to me to be frequently neglected the typical Mozart humour. Capricious, mischievous, childish, playful, parodying, affectionate etc - there are not enough adjectives to describe the wit of Mozart. Astonishingly, this humour never has a hurtful or injured tone but is, on the contrary, always deeply gracious and humanistic. The emotional spectrum of Mozart's humour, with all it's diversity, is always focused on the light.Inch Album Tracks 1. Piano Sonata No. 12 in F Major K332 2. Piano Sonata No. 3 in B Flat Major K281 3. Piano Sonata No. 11 in a Major InchAlla TurcaInch K331 4. Piano Sonata No. 17 in B Flat Major K 570