Munich Motet Choir - Mass 6 - COMPACT DISCS [CD]

For his first recording with Ricercar, and as a prelude to an anthology of German Baroque harpsichord music, Yoann Moulin tackles works by two of Sweelinck's most illustrious disciples. The preludes, chorales, fugues, dances and arias with variations of this repertory offer great diversity and enable us to grasp the personalities of the two composers, the introverted Scheidt and the more flamboyant and Baroque Scheidemann. Yoann Moulin began his musical education with Robert Weddle. He discovered the harpsichord later, and studied with Bibiane Lapointe and Thierry Maeder before continuing his education at the Academy Villecroze and the National Conservatory of Music and Dance in Paris. He has since performed in numerous solo and chamber music recitals and at different festivals including the Folles Days of Nantes, the Philharmonie de Paris, La Roque d'Antheron, and more. Recently, he cofounded the ensemble InchA Band of Harpsichords,Inch a consort of ancient keyboards that focuses on the music of the Renaissance, both written and improvised.

Munich Motet Choir - Missa in Honorem Sanctae Ursulae / Chiemsee Mass [COMPACT DISCS] date 09/29/2009

Internationally celebrated as both a soloist and conductor, Florian Krumpock has more than proven his outstanding capability in the international concert scene. InchForget Lang Lang and Arcadi Volodos. There are highly virtuoso keyboard tigers in Austria tooInch, was the verdict of the daily newspaper InchDie PresseInch on the pianist's solo debut at the Vienna Konzerthaus. On this album, Florian Krumpock presents two of Robert Schumann's seminal works Fantasiestucke, Op. 12 and Symphonic etudes, Op. 13 both deeply intertwined with his great love and future wife, Clara Wieck. The album's title, InchBetween Eusebius and FlorestanInch, alludes to the alter egos Schumann frequently invoked during this period opposing personas that profoundly influenced his work as both a music critic and a composer. This recording of the Symphonic etudes includes five posthumously published variations, with the finale drawn from Schumann's 1852 revised version.